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Prompt by ElectricL

rigid prompts

very few results

5 months ago

Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid the word "Imagen-4" glitches on the screen Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

5 months ago

"Create a meticulously staged cinematic scene with rigid symmetry and frontal, low-angle framing, emphasizing a diagonal composition (45-degree tilt) where all elements align along a single dynamic axis. Color Grading: 60% Dominant: Soft, powdery pastel pinks (Pantone 12-1109 TPX "Marshmallow") saturating the sky, snow, and TV casing. 30% Secondary: Frosted teal blues (HEX #6ECEDA) in the glacial lake, aurora, and TV screen static. 10% Accent: Mustard-yellow (Pantone 15-0950 TPX "Golden Glow") in the aurora streaks, wool tufts, and corroded metal knobs. TV Design: A 1950s Bakelite TV (matte eggshell plastic with hairline cracks) tilted diagonally (top-left corner at 10 o’clock, bottom-right submerged at 4 o’clock). Crack: A jagged diagonal fissure (2cm wide) splits the screen from top-left to bottom-right, leaking viscous, neon-bright color bar pigment (RGB values: pink #FF9EB5, teal #5FDAC3, gold #FFD700) that pools into the water below. Materials: Body: Faux-weathered plastic with chipped edges revealing rusted steel underlayers. Details: Three rotary knobs (tarnished brass, 4cm diameter) labeled "VOL," "TUNE," "POWER." Cables: Braided wool cords (undyed cream yarn, 3cm thickness) coiled around the TV’s base, fraying at the ends. Screen Imagery: Static Overlay: A 1953 RCA-style color bar test pattern (8 vertical bands) glitching every 2 seconds, causing the teal and pink bars to "melt" downward into liquid with the word "Prompthero" barely visible on it. Underlying Image: A faint, glowing topographical map (golden-yellow lines on indigo) dissolves into water that cascades from the screen’s crack, merging with the glacial lake. Environment: Glacial Lake: Semi-frozen water (translucent teal, 70% opacity) with jagged ice shards (20cm height) encircling the TV. Snowfall: Heavy, dense snowflakes (1cm diameter) falling at 45 degrees, accumulating on the TV’s top-left corner. Aurora Borealis: Three parallel bands (pink #FFB3D1, teal #7FE5E5, gold #FFE44D) in smooth sine waves, 15° tilt, 80% opacity. Sky: Ultra-high-contrast starfield (ISO 51200 noise pattern) with 2,000 visible stars (randomized 2-4px white dots). Lighting & Effects: Key Light: A frontal, low-orange sodium vapor lamp (3200K) casting sharp diagonal shadows (20° angle) from the TV onto the ice. Bloom: Halation around the aurora and screen, radius 15px, intensity 70%. Textures: Film Grain: 35mm Kodak Vision3 250D overlay (gritty, high-detail). Lens Defects: Two hairline scratches (1px width) at 15° and 75° angles, plus hexagonal lens flare (60% opacity) from the aurora. Physics & Motion: Water: Viscous fluid dynamics—the leaking color bars swirl in 5cm eddies, blending with the glacial lake. Wool: Submerged yarn floats upward in 10cm tufts, swaying at 0.5Hz frequency. Result: A hyper-detailed, reference-free scene that implicitly channels Wes Anderson’s aesthetic through obsessive symmetry, retro-kitsch materials, and a strict 60/30/10 pastel hierarchy—no director named, all style embedded in granular technical specs.

3 months ago

Portrait hyper réaliste en cadrage serré d’un homme viril en uniforme de cérémonie militaire, inspiré des portraits de Tom of Finland. Le cadrage est serré : tête, épaules, haut du buste, cadré droit face à l’objectif. L’homme est très musclé, cou large, épaules massives. Son visage est viril, peau légèrement hâlée, nez droit et fin, mâchoire forte, moustache épaisse et soignée. Son regard est franc et dominateur, dirigé vers l’objectif. Il porte une casquette de cérémonie blanche, visière noire brillante, insigne métallique détaillé au centre du bandeau. La visière crée une ombre nette sur le haut du visage, soulignant les yeux et la moustache. Il porte un uniforme militaire de cérémonie ajusté : veste rigide bleu marine ou gris foncé, col haut orné d’insignes métalliques détaillés, épaulettes visibles, boutons métalliques brillants en rangée centrale, médailles et barrettes sur la poitrine, insigne de grade sur la manche gauche. La texture du textile de l’uniforme est hyper réaliste : laine ou tissu épais, coutures visibles, rendu rigide et soigné. Les insignes métalliques et boutons brillent sous la lumière. La lumière est forte et descendante, comme dans le dessin original : elle crée des ombres nettes sur le visage et les épaules, met en valeur la brillance de la visière et des insignes. Le fond est neutre et flou, gris foncé ou noir. Le style photographique est hyper réaliste et cinématographique : textures parfaites de la peau, du textile, du métal. L’ambiance visuelle est puissante, virile, inspirée de l’esthétique de Tom of Finland transposée en photo contemporaine.

8 months ago

Imagine Jack Skellington, the Pumpkin King, rendered in a striking black-and-white theme, emphasizing his skeletal elegance and eerie charm. In this monochromatic vision, his tall, thin frame stands out in sharp contrast against the shadowed background, his skeleton's every bone sharply defined, casting crisp, angular shadows across his form. His skull, a pale, almost ghostly white, is stark against the darkened shadows, with deep, hollow eye sockets that seem to pierce through the gloom. The bones are smooth and polished, reflecting a slight sheen in the dim light, giving him a slightly ethereal, almost ghost-like appearance. His bony expression is a mixture of melancholy and curiosity, with his thin, elongated mouth curled into a faint smile, revealing his toothless grin. The details of his skull are beautifully intricate, with subtle cracks and markings etched into the bone, adding a sense of age and mystery. His suit, typically striped, now appears as a perfect contrast of black and white, its sharp, jagged lines running vertically down his body like a visual echo of his skeleton’s structure. The fabric seems impossibly crisp, the stripes alternating between pure black and stark white, each line adding to the illusion of depth and texture. His bowtie, always a distinctive feature, is also in high contrast—deep black, like a shadow, against the whiteness of his chest. It is both whimsical and slightly ominous, with its soft, flowing ribbons resembling the kind of detail that gives the figure an almost surreal elegance. The background around him is a dark, swirling fog of shadows, with faint hints of jagged, ghostly shapes that suggest the eerie environment of Halloween Town. The lack of color adds a haunting depth, with the only real light being the soft, spectral glow that catches the edges of his bones, creating sharp, luminous highlights that stand out from the enveloping darkness. His hands, long and delicate with bony fingers, are positioned as if he's about to gesture or conjure some fantastical creation, each finger bending with a fluidity that contrasts with the rigidness of his skeletal body. The details of his hands—thin and almost graceful—are captured in sharp relief, with every joint, every curve visible in the soft light. This black-and-white rendering of Jack Skellington enhances the inherent drama and mystery of his character, drawing attention to the clean lines of his skeletal structure and his slightly macabre yet charismatic presence. The lack of color emphasizes the purity of his form and the timeless, haunting essence he embodies. Every shadow and highlight creates a sense of depth, making him feel like a figure who belongs to both the worlds of the living and the dead, forever suspended in an eerie, dreamlike state 8k