shot on Arri prompts

2 months ago

Shot with ARRI ALEXA Mini LF, medium shot, low-angle perspective. The uploaded woman sits quietly on the edge of a rooftop, overlooking the cloudy cityscape of Zurich. She wears a sheer black lace dress, black transparent tights, and dark lipstick, creating a striking contrast against the muted, overcast sky. Her posture is calm and contemplative, with her gaze lost in the distance. The cool tones of the cloudy daylight enhance the gothic and delicate aesthetic of her look, while the urban background adds depth to the scene.

2 months ago

“Hyperrealistic miniature corn mage, knee-high, standing in a misty field at dawn, surrounded by withered corn stalks. His face is formed entirely from the natural structure of an ancient ear of maize — golden-yellow kernels weathered to amber, some missing or cracked, husk leaves dry and frayed like tattered robes. His eyes are large, deep-set, and intensely human — dark brown irises with soft white highlights, framed by thick, furrowed brows formed by the natural ridges of the cob. His mouth is a subtle, firm line suggested by a gentle crease between kernels, conveying quiet wisdom and weary power. He wears layered robes of dried corn husks and burlap, stained with soil, ash, and herbal stains, cinched with a belt of braided roots. On his head: a ceremonial iron circlet — rusted, thin, wrapped in faded silk cords — resting gently over his husk crown. In his hands, he cradles a glowing seed pod pulsing with soft amber light. Mist curls around his feet; dew clings to every fiber. Background: abandoned cornfield, broken scarecrow, distant storm clouds, golden light piercing through fog. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, desaturated golden-hour lighting, ultra-detailed textures (kernel pores, husk fibers, rust flakes, mud splatter, water droplets), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

6 months ago

Hyperrealistic full body portrait shot with Arri Alexa XT Studio lens 50mm ,of Ashwatthama, from Mahabharatha, in a terrifyingly silent night raid, walks through the smoldering ruins of the Pandava camp under a blood-red moon. His face is smeared with ash and rage, eyes glowing with divine fury, his long wild hair flowing in the wind. He clutches a glowing sword, Narayanastra blazing in the background with divine fire tearing through tents. Ash and ember sparks swirl in the night air, tents aflame, battlefield shrouded in darkness. Hyperrealistic cracked armor, muscular war-torn body, silent wrath radiating from him. Cinematic low-key lighting from burning tents, shadows flicker on his face. Backlight fire glow, shallow depth of field, intense contrast. Cinematic lighting, dark fantasy realism --ar 1:2 --raw --v 7

2 months ago

hyperrealistic cinematic photo, a magical forest where trees are made of smooth, polished geode stone. The bark is a dark basalt that cracks open to reveal vast, shimmering cavities of giant amethyst and clear quartz crystals. Sunlight filters through the canopy and refracts into thousands of tiny, sharp rainbows that dance on the mossy forest floor. The air is crisp and clear, with a few particles of dust illuminated in the light beams. Shot on Arri Alexa 65, anamorphic lens, epic scale, breathtaking detail.

2 months ago

“Hyperrealistic miniature potato knight as Lancelot, knee-high, standing alone on a rain-drenched hill at twilight, overlooking the ruins of a fallen kingdom. His body is a single, massive russet potato — rough, deeply pitted skin covered in mud, dried sap, and old battle scars, some cracks sealed with hardened resin like scars of honor. His face emerges from the natural form: large, sorrowful human eyes — deep brown irises with soft golden highlights, framed by thick brows formed by ridges in his skin. His expression is noble, weary, and burdened by silent guilt — the look of a man who loved too loyally, and lost everything. He wears a tattered surcoat of faded blue linen (once the color of loyalty), torn at the edges, over leaf-plate armor reinforced with seed-shell pauldrons. Around his waist: a wide, weathered leather belt with a rusted iron buckle. On his head: a dented, ancient iron helmet — once polished, now oxidized — resting slightly askew, revealing one haunted eye. In his hand, he grips a broken lance of petrified rootwood, its tip shattered, yet held with unwavering resolve. At his feet, a single white flower grows through the cracks in the stone. Background: stormy sky, distant lightning, ruined castle spires swallowed by ivy, crows circling in the wind. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, desaturated twilight lighting with dramatic chiaroscuro, ultra-detailed textures (potato pores, mud grit, linen weave, rust flakes, water droplets, leaf veins), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

8 months ago

Hyperrealistic close-up portrait of a young woman with wet black hair and short bangs, intense blue eyes with detailed iris, water droplets on skin, standing in rain, bare shoulders with visible tattoo, serious expression with full lips, dark cyberpunk atmosphere with blue and teal lighting, raindrops falling in background, water reflections, cinematic composition, shallow depth of field, detailed skin texture with water beading, 8K resolution, photorealistic, shot on Arri Alexa, volumetric lighting, highly detailed, professional color grading, dramatic mood

2 months ago

full body wide shot, a alien android with shiny black body armor and metal tentacles, who stands miles high over a futuristic city. The android's head is near the clouds as he looks down on the city. Photorealistic, ultra realistic, detailed, shot on a ARRI Alexa RED weapon 8K

7 months ago

CINEMATIC SHOT, AN INTENSE MOTORCYCLE NIGHT RACE, UNDER CITY spot LIGHTS, REBELLIOUS, DUSTY::1, SHOOTING WITH LOW-LIGHT CAPABLE ARRI ALEXA CAMERA ON KODAK VISION3 FILM TO CAPTURE COLOR VIBRANCY, ENHANCED WITH FOG AND Haunted ATMOSPHERE FOR ADDITIONAL TENSION --STYLE RAW - -V 5.2 --AR 21:9 --C 10

2 months ago

“Hyperrealistic cactus warrior archer standing alone on a desert mesa at sunset, his body made of weathered green cactus flesh with sharp spines, wearing a tattered leather quiver and a cloak of dried agave leaves. His bow is carved from mesquite wood, strung with sinew; one arm drawn back in a moment of quiet readiness. Eyes deep and sorrowful, glowing faintly amber — full of ancient desert wisdom. Golden hour light wraps around his form, casting long dramatic shadows over cracked earth. Background: vast desert canyon with distant thunderclouds, dust motes floating in air. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, cinematic composition, emotional atmosphere, ultra-detailed textures (spines, dry skin, fabric wear), 8K resolution, fantasy realism by Greg Rutkowski and Simon Stålenhag, masterpiece, trending on ArtStation.”

10 days ago

Tribute to the ROck N RoLL heads: yper-Realistic, cinematic photography, 8K, shot on Arri. The scene is a dimly lit, abandoned industrial warehouse at night. Rain streaks down a broken window. In the center, a single warrior stands, face contorted in a raw, cathartic SCREAM. They are holding a heavily modified, scarred electric guitar that is actively CRACKLING with raw, chaotic energy - a mix of orange lightning and glitching, digital blue static. Wires from the guitar snake across the grimy floor, pulsing with light. In the shadows, faint, monolithic letters are graffitied on the wall: "RUST GOD". The atmosphere is a perfect blend of primal rage and digital decay. --ar 16:9 --style raw --v 6.0 https://www.youtube.com/watch?v=l482T0yNkeo&list=RDpAgnJDJN4VA&index=2

3 months ago

A photorealistic, cinematic close-up of a rugged man with intense blue eyes and several deep scars on his face. He has messy salt-and-pepper hair and is wearing a distressed leather jacket and a black glove. The setting is a dark, gritty environment. The lighting is dramatic and highlights the sweat on his forehead. Shot on ARRI ALEXA LF, 85mm lens.

2 months ago

“Hyperrealistic miniature mushroom thief, knee-high, crouched in the shadows of a moonlit medieval alley, one hand gripping a stolen silver locket, the other pressed against a mossy stone wall. His body is a single, mature portobello mushroom — deep brown cap with cracked, leathery skin, gills exposed like tattered cloak folds, stem slightly bent from years of stealth. His face emerges from the cap’s underside: large, hypnotic human eyes — golden-amber irises with vertical slit pupils like a cat’s, glowing faintly in the dark, framed by thick, shadowed brows formed by the mushroom’s natural ridges. His mouth is a subtle, sly curve, barely visible beneath a dusting of spores. He wears a hooded cloak of moth-eaten velvet and dried lichen, patched with stolen silk scraps, cinched with a rope of braided root. On his head: a dented, tarnished iron coif — salvaged from a dead guard — pulled low over his brow, blending into the shadows. Rain mist clings to his cap; his breath fogs the cold air. Background: narrow alley between crumbling stone buildings, hanging laundry, distant torchlight flickering on wet cobblestones. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, chiaroscuro moonlight with cool shadows and warm torch highlights, ultra-detailed textures (mushroom gills, velvet fraying, rust flakes, spore dust, water droplets), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

2 months ago

“Hyperrealistic miniature garlic knight, knee-high, mounted on a spectral horse made of aged garlic roots and dried vines, riding through a misty battlefield at dawn. His body is a single, weathered garlic bulb — pale ivory skin with papery, translucent layers peeling at the edges, stained with mud, dried sap, and battle scars. His face emerges from the natural segmentation of the cloves: large, weary human eyes — deep brown irises with soft highlights, framed by thick brows formed by the ridges between cloves. His expression is calm, resolute, and slightly sorrowful — no vanity, only duty. He wears a tattered tunic of coarse burlap and leaf-plate armor, reinforced with seed-shell pauldrons, cinched with a wide, weathered leather belt — cracked, stained, with a rusted iron buckle. On his feet: tall, scuffed leather boots, curved toes, high heels — practical, not decorative. On his head: a dented iron helmet, salvaged from a fallen knight, wrapped in vine cords. His horse is a majestic creature of the earth — body formed from twisted garlic roots, mane of dried fibrous strands, eyes glowing faintly amber, hooves leaving faint steam on the wet ground. Background: ruined battlefield, broken lances, crows circling in fog, golden light piercing through storm clouds. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, desaturated dawn lighting with warm highlights, ultra-detailed textures (garlic papery layers, root fibers, leather grain, rust flakes, mud splatter, water droplets), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

2 months ago

“Hyperrealistic cactus warrior archer standing alone on a desert mesa at sunset, his body made of weathered green cactus flesh with sharp spines, wearing a tattered leather quiver and a cloak of dried agave leaves. His bow is carved from mesquite wood, strung with sinew; one arm drawn back in a moment of quiet readiness. Eyes deep and sorrowful, glowing faintly amber — full of ancient desert wisdom. Golden hour light wraps around his form, casting long dramatic shadows over cracked earth. Background: vast desert canyon with distant thunderclouds, dust motes floating in air. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, cinematic composition, emotional atmosphere, ultra-detailed textures (spines, dry skin, fabric wear), 8K resolution, fantasy realism by Greg Rutkowski and Simon Stålenhag, masterpiece, trending on ArtStation.”

2 months ago

“Hyperrealistic miniature mushroom thief, knee-high, crouched in the shadows of a moonlit medieval alley, one hand gripping a stolen silver locket, the other pressed against a mossy stone wall. His body is a single, mature portobello mushroom — deep brown cap with cracked, leathery skin, gills exposed like tattered cloak folds, stem slightly bent from years of stealth. His face emerges from the cap’s underside: large, hypnotic human eyes — golden-amber irises with vertical slit pupils like a cat’s, glowing faintly in the dark, framed by thick, shadowed brows formed by the mushroom’s natural ridges. His mouth is a subtle, sly curve, barely visible beneath a dusting of spores. He wears a hooded cloak of moth-eaten velvet and dried lichen, patched with stolen silk scraps, cinched with a rope of braided root. On his head: a dented, tarnished iron coif — salvaged from a dead guard — pulled low over his brow, blending into the shadows. Rain mist clings to his cap; his breath fogs the cold air. Background: narrow alley between crumbling stone buildings, hanging laundry, distant torchlight flickering on wet cobblestones. Shot on ARRI Alexa 65, 75mm anamorphic lens, shallow depth of field, chiaroscuro moonlight with cool shadows and warm torch highlights, ultra-detailed textures (mushroom gills, velvet fraying, rust flakes, spore dust, water droplets), live-action fantasy film aesthetic, by Guillermo del Toro and Roger Deakins, 8K cinematic masterpiece.”

7 months ago

A modern, tastefully decorated entryway with soft ambient lighting and elegant furniture. A large rectangular rug with deep black marble patterns and golden ornate motifs lies perfectly flat on the floor, its texture and symmetry fully intact. A fair-skinned woman with wavy light brown hair, wearing blue jeans and a crisp white shirt, stands barefoot near the edge of the rug, looking at her phone and smiling softly. Her posture is relaxed and natural. The camera performs a slow dolly slide from left to right at hip level, highlighting the fine texture and clean lines of the rug. Shot using an ARRI Alexa Mini LF with a 35mm Cooke S4/i lens at T2.1, capturing shallow depth of field and soft cinematic bokeh. There is no zoom. The rug stays completely stable with no warping or pattern distortion. Background reflections remain crisp and lighting is even throughout the shot.

6 months ago

Cinematic wide shot in the middle of a vast desert. A dilapidated bus stop stands isolated under a harsh sun. Seated on a worn-out bench, all with their backs to the camera, are symbolic figures: a Muslim in traditional dress, an Orthodox Jew with a black hat and beard, a Catholic nun in habit, a Sikh man with a turban and long beard, a Buddhist monk in saffron robes, and a morbidly obese Superman, his cape dragging in the dust. A weary businessman in a suit holding a briefcase sits at one end, slouched. Everyone looks tired, their posture reflecting deep exhaustion and silent resignation. Above them hangs a broken, faded sign reading: “Nobody has made it out alive.” Bleak, existential mood. Shot with Cooke lenses, ARRI Alexa sensor, ultra-detailed, high dynamic range, 8K resolution. Desert textures, faded colors, surreal, symbolic, still frame.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.

6 months ago

Wide shot. In the middle of the desert, at a worn-down bus stop, sit representatives of the world’s major religions: a Muslim, an Orthodox Jew, a Catholic nun, a Sikh, and a Buddhist. Next to them sits a morbidly obese Superman. They are all silently waiting for a bus. The entire scene is framed by a faded, battered sign that reads: "Nobody has made it out alive." Shot on Cooke lenses, ARRI camera, Alexa sensor, 8K resolution.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot in a vast, sun-scorched desert. A dilapidated, rust-covered bus stop stands isolated under a blazing sky. On the weathered bench sit seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing the horizon, no faces visible, no eye contact: – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and long beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit holding a briefcase loosely by his side. All appear weary, slouched, fatigued, silently waiting. Above them, a weathered, cracked sign reads in faded letters: "Nobody has made it out alive." Long shadows stretch across the cracked earth. The mood is existential, surreal, still, full of quiet despair. NO FACES SHOWN. BACK VIEW ONLY. ALL CHARACTERS FACING AWAY. Ultra-cinematic lighting, shot on Cooke lenses, ARRI Alexa sensor, ultra-wide aspect ratio, 8K resolution, high dynamic range, golden hour light, dramatic shadows, film grain, color graded like a Denis Villeneuve film.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."