side rear view prompts

8 months ago

Rear view. A hyper-realistic, full-length side profile of a very buxom fashion model with a slim waist walking briskly from left to right, taking long steps. She is facing forward and not looking at the camera. She is wearing a v-neck, sleeveless, red mini dress with splits, red thigh high lace stockings with suspender belts, and matching high heels. She has long, wavy, red hair. She is in the centre of Plaza Mayor. She has long, wavy, red hair. It is the golden hour, just before sunset. rear view.

7 months ago

A full-body fantasy style, editorial portrait, full body view, head to toe, of a woman practicing a cow/cat yoga pose in a sun-dappled jungle clearing. She seems to glows softly in the golden hour light filtering through thick foliage. She wears ceremonial jewelry, feathers, and a nature-inspired outfit with gemstone details. Captured from a low diagonal side view, she stretches with focus and grace, exuding strength and calm. The setting is rendered in ultra-detailed, high-gloss fantasy style with vibrant colors, soft cinematic lighting, and richly textured jungle elements — evoking a serene moment of harmony between body and nature. angle is from a dynamic rear angle, she's looking back over her shoulder with intensity. Camera: 35 mm prime, f/2.2, mid‑shallow DoF, low‑angle framing. Film: digital RAW with Ektachrome teal‑and‑gold color grade, 8% fine grain. Lighting: direct midday sun 5600K, reflections; crisp specular highlights. Textures: hyper-realistic, hyper detailed, natural Vibe: confident, adventurous, sporty glamour.

7 months ago

Generate a highly detailed, photorealistic 4K digital wallpaper featuring a 1982 Nissan Laurel C31 2000 Turbo Sedan in a rear three-quarter view. The car must be completely factory-original and accurate to Japanese domestic market specifications: white exterior, factory alloy wheels, chrome side mirrors, and correct body proportions and trim. Ensure the 'LAUREL' and 'TURBO' badges are visible on the rear trunk garnish. The car should be parked on a neon-lit city street at night in a vaporwave setting, surrounded by retro-futuristic city buildings, glowing pink and purple streetlights, reflective wet pavement, and silhouetted palm trees under a deep indigo sky. Add glowing underglow lighting and use a vaporwave palette: hot pink, cyan, violet, and midnight blue. Include soft lens flares and subtle VHS scanlines for aesthetic atmosphere. Do not use any modern or aftermarket parts. Lighting should be soft and moody, enhancing the classic lines of the car.

9 months ago

A rapid aerial tracking shot from the drone's perspective captures a surreal dream sequence of an ancient Chinese beauty dressed in an exquisite Hanfu, flying at high speed in a prone position. She effortlessly glides through the clouds, her body fully extended with arms outstretched to the sides, legs slightly parted, and her head forward, capturing the sensation of smooth horizontal flight. Her Hanfu billows in the wind as the camera closely tracks from a slightly higher angle, moving from the left rear to the right rear, maintaining a continuous view of the prone position as the character swiftly traverses the scene. The environment is dynamic and rapidly changing, with clouds below and white clouds streaking by in the background, a large moon hanging high in the distance, and a sparkling night sky surrounding, with motion blur and light trails enhancing the sense of speed and fluidity. Rapid movement.

7 months ago

A full-body fantasy style, editorial portrait, full body view, head to toe, of a black African woman practicing a cow/cat yoga pose in a sun-dappled jungle clearing. She seems to glows softly in the golden hour light filtering through thick foliage. She wears ceremonial jewelry, feathers, and a nature-inspired outfit with gemstone details. Captured from a low diagonal side view, she stretches with focus and grace, exuding strength and calm. The setting is rendered in ultra-detailed, high-gloss fantasy style with vibrant colors, soft cinematic lighting, and richly textured jungle elements — evoking a serene moment of harmony between body and nature. angle is from a dynamic rear angle, she's looking back over her shoulder with intensity. Camera: 35 mm prime, f/2.2, mid‑shallow DoF, low‑angle framing. Film: digital RAW with Ektachrome teal‑and‑gold color grade, 8% fine grain. Lighting: direct midday sun 5600K, reflections; crisp specular highlights. Textures: hyper-realistic, hyper detailed, natural Vibe: confident, adventurous, sporty glamour.

2 months ago

A rear view female body type realistic 3D mock-up of a red soccer jersey in a rear-view power pose, focusing on the back design The shirt is slightly twisted, as if the model has just turned, creating a sense of motion and energy. Use dramatic backlighting or side lighting to emphasize the silhouette and contours of the fabric. The material should show subtle folds and natural tension across the shoulders and upper back. Keep the background clean and softly lit, ensuring the attention remains on the bold rear design and athletic shape. No head or full body — just the upper torso from the back in a dynamic, confident pose. body(skin) must be transparent

2 months ago

A rear view female body type realistic 3D mock-up of a red soccer jersey in a rear-view power pose, focusing on the back design The shirt is slightly twisted, as if the model has just turned, creating a sense of motion and energy. Use dramatic backlighting or side lighting to emphasize the silhouette and contours of the fabric. The material should show subtle folds and natural tension across the shoulders and upper back. Keep the background clean and softly lit, ensuring the attention remains on the bold rear design and athletic shape. No head or full body — just the upper torso from the back in a dynamic, confident pose.

2 months ago

A rear view female body type realistic 3D mock-up of a red soccer jersey in a rear-view power pose, focusing on the back design The shirt is slightly twisted, as if the model has just turned, creating a sense of motion and energy. Use dramatic backlighting or side lighting to emphasize the silhouette and contours of the fabric. The material should show subtle folds and natural tension across the shoulders and upper back. Keep the background clean and softly lit, ensuring the attention remains on the bold rear design and athletic shape. No head or full body — just the upper torso from the back in a dynamic, confident pose. body(skin) must be invisible.

2 months ago

A rear view female body type realistic 3D mock-up of a red soccer jersey in a rear-view power pose, focusing on the back design The shirt is slightly twisted, as if the model has just turned, creating a sense of motion and energy. Use dramatic backlighting or side lighting to emphasize the silhouette and contours of the fabric. The material should show subtle folds and natural tension across the shoulders and upper back. Keep the background clean and softly lit, ensuring the attention remains on the bold rear design and athletic shape. No head or full body — just the upper torso from the back in a dynamic, confident pose. body(skin) must be invisible.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

2 months ago

side view of BMW M8, in white with blue and red racing stripes, black rear wing drifting around a sharp corner, rear tires smoking, "3" text on the back, dramatic motion blur, sideways and tire smoke, cinematic atmosphere, race action photography, --style raw --v 6

2 months ago

Let's refine that prompt to be even more effective for generating the desired image! Here's an improved version, focusing on clarity, specific details, and leveraging the image generation model's capabilities: "A realistic 3D mock-up of a red soccer jersey, viewed from the rear, on a translucent/ghosted, full-figured female torso. The model is in a dynamic 'power pose,' with the torso slightly twisted to imply recent movement and energy. Emphasize natural fabric folds and tension across the shoulders and upper back. Use dramatic side or backlighting to highlight the jersey's silhouette, contours, and the bold rear design (CHAMPIONS 2025 and the AW logo). The background should be clean, minimal, and softly lit to keep the focus entirely on the jersey and its dynamic presentation. No head, lower body, or limbs; just the upper torso from the back in a confident, active stance."

2 months ago

"A realistic 3D mock-up of a red soccer jersey, viewed from the rear, on a translucent/ghosted, full-figured black African female torso. The model is in a dynamic 'power pose,' with the torso slightly twisted to imply recent movement and energy. Emphasize natural fabric folds and tension across the shoulders and upper back. Use dramatic side or backlighting to highlight the jersey's silhouette, contours, and the bold rear design (CHAMPIONS 2025 and the AW logo). The background should be clean, minimal, and softly lit to keep the focus entirely on the jersey and its dynamic presentation. No head, lower body, or limbs; just the upper torso from the back in a confident, active stance."

2 months ago

"A realistic 3D mock-up of a red soccer jersey, viewed from the rear, on a translucent/ghosted, full-figured black African female torso. The model is in a dynamic 'power pose,' with the torso slightly twisted to imply recent movement and energy. Emphasize natural fabric folds and tension across the shoulders and upper back. Use dramatic side or backlighting to highlight the jersey's silhouette, contours, and the bold rear design (CHAMPIONS 2025 and the AW logo). The background should be clean, minimal, and softly lit to keep the focus entirely on the jersey and its dynamic presentation. Important important!!!No head, lower body, or limbs; just the upper torso from the back in a confident, active stance."

17 days ago

"Side view of Volkswagen CC 2014, in Sweet Date Gold with blue and red racing stripes, black rear wing drifting around a sharp corner, rear tires smoking, "3" text on the back, dramatic motion blur, sideways and tire smoke, cinematic atmosphere, race action photography, --style raw --v 6"

2 months ago

A rear female realistic 3D mock-up of a red soccer jersey in a rear-view power pose, focusing on the back design The shirt is slightly twisted, as if the model has just turned, creating a sense of motion and energy. Use dramatic backlighting or side lighting to emphasize the silhouette and contours of the fabric. The material should show subtle folds and natural tension across the shoulders and upper back. Keep the background clean and softly lit, ensuring the attention remains on the bold rear design and athletic shape. No head or full body — just the upper torso from the back in a dynamic, confident pose.

2 months ago

A rear female realistic 3D mock-up of a red soccer jersey in a rear-view power pose, focusing on the back design The shirt is slightly twisted, as if the model has just turned, creating a sense of motion and energy. Use dramatic backlighting or side lighting to emphasize the silhouette and contours of the fabric. The material should show subtle folds and natural tension across the shoulders and upper back. Keep the background clean and softly lit, ensuring the attention remains on the bold rear design and athletic shape. No head or full body — just the upper torso from the back in a dynamic, confident pose.

2 months ago

A rear female realistic 3D mock-up of a red soccer jersey in a rear-view power pose, focusing on the back design The shirt is slightly twisted, as if the model has just turned, creating a sense of motion and energy. Use dramatic backlighting or side lighting to emphasize the silhouette and contours of the fabric. The material should show subtle folds and natural tension across the shoulders and upper back. Keep the background clean and softly lit, ensuring the attention remains on the bold rear design and athletic shape. No head or full body — just the upper torso from the back in a dynamic, confident pose.

9 months ago

"A hyper-realistic, ultra-detailed 21:9 full-body and close-up multi-pose depiction of a stunning British woman, presented in five distinct poses within the same frame: three full-body views and two face close-ups. Each pose is evenly spaced, ensuring her entire figure remains fully visible from head to feet, while the close-up shots maintain sharp facial details. The frame is divided into two sections for perfect clarity and proportion. The top section (30-40% of the frame height) features two close-up face shots. On the left, a front-view close-up captures her symmetrical features, deep brown almond-shaped eyes, full lips, and naturally arched eyebrows. On the right, a side-profile close-up highlights her jawline, high cheekbones, and elegant nose structure. The bottom section (60-70% of the frame height) presents three full-body standing poses. On the left, a front-facing full-body pose, where she stands naturally with her arms at her sides and feet firmly on the ground. In the center, a side-profile full-body stance, showcasing her posture, body curvature, and proportions. On the right, a full rear-view stance, displaying her back, shoulders, and leg proportions. She has a symmetrical, captivating face with deep brown eyes, naturally arched eyebrows, and full lips. Her dark brown wavy hair is tied in a messy bun, with loose strands framing her face. Her athletic physique is well-proportioned, featuring a full, balanced bust, a defined waist, elegant shoulders, toned arms, and thick thighs. She stands 175 cm tall and wears a black deep V-neck sports bra, high-waisted black yoga pants, and white sneakers. She has no makeup, ensuring a natural look. The lighting is soft and natural, casting subtle highlights and shadows to enhance depth and realism. The clean white background ensures clarity, while HDR 4K resolution captures ultra-detailed textures and perfectly balanced skin tones, achieving a highly cinematic effect. The 21:9 ultra-wide aspect ratio maintains accurate proportions, ensuring no cropping or distortion, making it an ideal dataset for LoRA training."**

2 months ago

A rear black African female realistic 3D mock-up of a red soccer jersey in a rear-view power pose, focusing on the back design The shirt is slightly twisted, as if the model has just turned, creating a sense of motion and energy. Use dramatic backlighting or side lighting to emphasize the silhouette and contours of the fabric. The material should show subtle folds and natural tension across the shoulders and upper back. Keep the background clean and softly lit, ensuring the attention remains on the bold rear design and athletic shape. No head or full body — just the upper torso from the back in a dynamic, confident pose.