A sample prompt of what you can find in this page
Prompt by Chorlo

surreal architecture prompts

hundreds of results

8 months ago

A futuristic museum hall filled with a soft, drifting haze of smoke. The entire space, including the walls and floor, is overwhelmingly white, almost disorienting in its purity. The ceiling is lined with long, continuous LED strips stretching across its entire surface. Their glow is partially absorbed by the swirling mist on the floor, creating an ethereal, diffused lighting effect. The room has no doors or windows, enhancing the surreal and otherworldly atmosphere. At the center of the space stands a minimalist glass display case. Inside, a breathtaking, floating female head is showcased, with bold red lips, editorial-style makeup, dramatic contouring, and shimmering metallic highlighter. She wears an extravagant avantgarde wig with black long textured hair with short fringe. The hair is black and has small metallic pins on it. Sculpted into futuristic, architectural shapes and intricate geometric designs. The head appears suspended in mid-air, as only the hair is fully visible, there is no body, just the striking, levitating form. Surrounding the display, elegantly dressed men and women in avant-garde, high-fashion futuristic attire stand in admiration, capturing the wig with their smartphones. Their outfits feature bold, sculptural silhouettes, reflective metallic fabrics, exaggerated shoulders, high-neck collars, intricate laser-cut details, and asymmetrical designs. Some wear visor-like glasses, glowing accessories, and gravity-defying structured garments. The bright flashes of their cameras reflect off the glass, creating a mesmerizing interplay of light. The scene carries an eerie yet mesmerizing surrealism, blending high fashion, advanced technology, and an air of mystery. The combination of futuristic aesthetics, editorial styling, and avant-garde fashion elements makes the composition feel like a high-end fashion editorial from a distant future.

8 months ago

High-definition double exposure artwork with vibrant colors featuring a macro white filigree feather placed on a rustic wooden table surface. Around the feather, there are pine cones, cinnamon sticks, and tiny people walking along a swirling road leading to the Chardham pilgrimage sites – Yamunotri, Gangotri, Kedarnath, and Badrinath. Each location is depicted with detailed temple architecture, snow-capped Himalayan peaks, flowing holy rivers, and pilgrims on their spiritual journey. Inside the feather, there is a cinematic winter shaman-style girl portrait with glowing aurora borealis over arctic landscapes, blending seamlessly with trees, a caravan of deers, wooden houses, and a dynamic play of light and shadows. The artwork is inspired by Kuindzhi and Rockwell with expressive brushstrokes, transparent washes, and a hyperrealistic texture. The outer edge of the feather features the words 'Bhargawa Holidays' in an elegant, vintage-inspired script. The image is captured from a top-angle shot, resembling a professional postcard with ultra-detailed textures, dynamic shadow play, and deep cinematic depth. The Chardham temples are intricately designed, glowing with sacred energy, while the feather’s surface reflects pilgrimage scenes with luminism-inspired lighting and an ethereal, airy mood. Image Settings: Aspect Ratio: 9:16 (vertical format for posters and postcards) Resolution: Ultra HD, hyperrealistic textures with cinematic depth Lighting: Soft and ethereal with dynamic shadows and glowing highlights Focus: Macro close-up on feather, slight blur on wooden background Art Style: Double exposure, hyperrealism, mixed with expressive brushstrokes and luminism Composition: Central feather with Chardham locations inside, "Bhargawa Holidays" text on the outer edge Colors: Rich and vibrant hues with cool arctic blues, warm wood browns, and glowing temple golds Mood: Mystical, spiritual, and cinematic, blending nature and divine essence A masterpiece of surreal storytelling, combining pilgrimage, nature, and artistic brilliance through a double exposure cinematic style.

7 months ago

A colossal, shadowy figure looms over a surreal, neon-lit underworld, its horns spiraling into infinity like fractal vortexes. Its body is composed of shifting cosmic voids, speckled with burning red stars and glowing sigils of forgotten knowledge. Its eyes are liquid gold, hypnotic and all-consuming, drawing souls into its boundless gaze. Below, two astral-bound figures kneel, shackled by chains of molten silver, yet upon closer inspection, the chains are loose—revealing that their imprisonment is a self-imposed illusion. Their bodies flicker between human and shadow, caught between desire and liberation. The Devil’s outstretched hands weave luminous strings of manipulation, controlling floating tarot cards, shifting golden coins, and burning forbidden books, symbols of temptation and earthly distractions. Around them, melting architectures of hedonistic palaces and warped neon cityscapes twist and collapse, representing the ephemeral nature of false power. Above, a crimson moon drips molten silver, forming a cascading river of lost souls, forgotten dreams, and abandoned ambitions, eternally flowing into the abyss. The air crackles with chaotic, surreal energy, embodying the raw force of passion, obsession, and the choice between enslavement and awakening. Salvador Dalí surrealism, hyper-detailed, haunting yet mesmerizing, celestial and infernal contrast, glowing sigils, cinematic 4K surrealism, fractal horns, neon shadows, liquid reality, ultra-sharp, dreamlike fantasy. --avoid: malformed, extra limbs, distorted anatomy, blurry, low-resolution, pixelated, stretched features, exaggerated distortions, cartoonish, low-poly, noisy, CGI look, unnatural lighting, bad proportions, poorly drawn hands, floating objects, watermark, text artifacts, random artifacts, generic horror elements.

6 months ago

Inside a vast, empty gallery with smooth black walls and polished floors, a single white canvas hangs isolated on a jet-black wall. From afar, it appears blank—but up close, an impossibly intricate hand-drawn maze in faint charcoal lines covers its surface, barely visible. A lone figure, dressed in black, stands before the canvas. Their elongated shadow merges seamlessly into the floor, dissolving into the void. Above, a narrow skylight slices the space with a focused beam of pure white light, dividing the gallery into two stark halves—light and darkness. Dust floats gently in the air, catching the light like falling snowflakes. The only visible objects—crumpled paper near the figure’s feet, subtle breath vapor—exist solely in black and white, with no color, only contrast. There are no grays, only presence or absence. Everything in this world is shaped by what is not there: silence between thoughts, space between shapes, light’s gravity on emptiness. Meaning is found in the void between visible and invisible. Style: minimalist surrealism, conceptual abstraction Palette: pure black & white, soft shading gradients only from lightfall Lighting: high-contrast key light from skylight, deep ambient void Mood: meditative, existential, soft melancholy Composition: rule of thirds, empty center frame, high symmetry with void offset Visual Elements: lone canvas with hidden charcoal maze, black-clad figure, merging shadow, floating dust, quiet gallery architecture Themes: memory, perception, void, silence, duality of presence/absence Rendering style: ultra-high-resolution ink-detailed rendering, soft monochrome cinematic photography, Unreal Engine grayscale setup, volumetric dust with ray-traced lighting

6 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.