A sample prompt of what you can find in this page
Prompt by Ethan0527

taken from behind prompts

very few results

2 months ago

This is a striking, vertically-oriented fashion photograph of a Slovakian woman on an idyllic tropical beach. The image exudes a sense of high-end glamour, confidence, and summer luxury. The color palette is vibrant and high-contrast, featuring the brilliant blues of the ocean and sky, the pristine white of the sand, the deep blue of the swimsuit, and the warm tones of the woman's hair and golden accessories. The Subject: The Woman The central figure is a woman of East European descent, standing in a poised and powerful pose. Pose and Physique: She is captured from the mid-thigh up, standing in a three-quarter turn towards the camera. Her left arm is raised gracefully, her hand resting in her hair, a classic pose that elongates her body and highlights her toned physique. Her posture is confident and her figure is slender and athletic. Facial Features and Expression: She turns her head to her right, gazing away from the camera towards the horizon with a serene and sophisticated expression. Her lips are slightly parted. Her makeup is flawless and expertly applied: Eyes: Her eyes are accentuated with sharp, black winged eyeliner and long, full eyelashes, creating a defined and alluring look. Skin: Her skin is luminous, with a warm, sun-kissed glow. A subtle highlight on her cheekbones, nose, and cupid's bow catches the bright sunlight beautifully. Lips: She wears a warm, peachy-coral lipstick that complements her skin tone and hair color. Hair: Her hair is a vibrant reddish-auburn color, which stands out dramatically against the blue background. It is styled in a sleek, high ponytail that seems to be caught in a gentle breeze, adding a sense of movement to the static pose. Attire: The Swimsuit: She wears a chic and modern blue one-piece swimsuit, or monokini. Its design is intricate and fashionable: It is an asymmetrical, one-shoulder design, with the strap over her right shoulder. The swimsuit incorporates panels of sheer blue mesh, particularly over the bust area in a V-shape, and along the side. It features bold cutouts: a small, teardrop-shaped keyhole near her right collarbone and a large, sweeping C-shaped cutout on her left side that exposes her midriff. The edge of the large cutout is trimmed with a delicate, decorative border featuring small, circular eyelets, adding a touch of intricate detail. Accessories: The woman is adorned with bold, luxurious jewelry that enhances the glamorous feel: Earrings: She wears ornate, dangling gold earrings with a detailed, possibly filigree, design. Bracelets: On both wrists, she wears thick stacks of bangles in mixed metals and textures. The bracelets appear to be primarily gold-toned, with some featuring textured patterns and others incorporating black or silver elements. The Setting and Background: The setting is a quintessential tropical paradise, which serves as a stunning backdrop. Sand and Sea: The woman is standing on a beach of fine, pure white sand. Behind her, the ocean water is spectacularly clear, displaying a beautiful gradient of color from a pale, translucent turquoise in the shallows to a deep, rich sapphire blue further out. Sky: The sky is a vast, clear, and brilliant cerulean blue, with a few faint, wispy white clouds visible near the horizon. The sharp horizon line separates the deep blue of the sea from the bright blue of the sky. Lighting and Composition: The photograph is taken in bright, intense, direct sunlight, characteristic of a tropical midday. This strong light source illuminates the scene vividly, making the colors pop and creating crisp highlights on the woman's skin and jewelry. The composition is strong and balanced, with the woman as the clear focal point. The shallow depth of field keeps her in sharp focus while softly blurring the distant ocean and sky, which makes her stand out powerfully against the background.

2 months ago

This is a striking, vertically-oriented fashion photograph of a Slovakian woman on an idyllic tropical beach. The image exudes a sense of high-end glamour, confidence, and summer luxury. The color palette is vibrant and high-contrast, featuring the brilliant blues of the ocean and sky, the pristine white of the sand, the deep blue of the swimsuit, and the warm tones of the woman's hair and golden accessories. The Subject: The Woman The central figure is a woman of East European descent, standing in a poised and powerful pose. Pose and Physique: She is captured from the mid-thigh up, standing in a three-quarter turn towards the camera. Her left arm is raised gracefully, her hand resting in her hair, a classic pose that elongates her body and highlights her toned physique. Her posture is confident and her figure is slender and athletic. Facial Features and Expression: She turns her head to her right, gazing away from the camera towards the horizon with a serene and sophisticated expression. Her lips are slightly parted. Her makeup is flawless and expertly applied: Eyes: Her eyes are accentuated with sharp, black winged eyeliner and long, full eyelashes, creating a defined and alluring look. Skin: Her skin is luminous, with a warm, sun-kissed glow. A subtle highlight on her cheekbones, nose, and cupid's bow catches the bright sunlight beautifully. Lips: She wears a warm, peachy-coral lipstick that complements her skin tone and hair color. Hair: Her hair is a vibrant reddish-auburn color, which stands out dramatically against the blue background. It is styled in a sleek, high ponytail that seems to be caught in a gentle breeze, adding a sense of movement to the static pose. Attire: The Swimsuit: She wears a chic and modern blue one-piece swimsuit, or monokini. Its design is intricate and fashionable: It is an asymmetrical, one-shoulder design, with the strap over her right shoulder. The swimsuit incorporates panels of sheer blue mesh, particularly over the bust area in a V-shape, and along the side. It features bold cutouts: a small, teardrop-shaped keyhole near her right collarbone and a large, sweeping C-shaped cutout on her left side that exposes her midriff. The edge of the large cutout is trimmed with a delicate, decorative border featuring small, circular eyelets, adding a touch of intricate detail. Accessories: The woman is adorned with bold, luxurious jewelry that enhances the glamorous feel: Earrings: She wears ornate, dangling gold earrings with a detailed, possibly filigree, design. Bracelets: On both wrists, she wears thick stacks of bangles in mixed metals and textures. The bracelets appear to be primarily gold-toned, with some featuring textured patterns and others incorporating black or silver elements. The Setting and Background: The setting is a quintessential tropical paradise, which serves as a stunning backdrop. Sand and Sea: The woman is standing on a beach of fine, pure white sand. Behind her, the ocean water is spectacularly clear, displaying a beautiful gradient of color from a pale, translucent turquoise in the shallows to a deep, rich sapphire blue further out. Sky: The sky is a vast, clear, and brilliant cerulean blue, with a few faint, wispy white clouds visible near the horizon. The sharp horizon line separates the deep blue of the sea from the bright blue of the sky. Lighting and Composition: The photograph is taken in bright, intense, direct sunlight, characteristic of a tropical midday. This strong light source illuminates the scene vividly, making the colors pop and creating crisp highlights on the woman's skin and jewelry. The composition is strong and balanced, with the woman as the clear focal point. The shallow depth of field keeps her in sharp focus while softly blurring the distant ocean and sky, which makes her stand out powerfully against the background.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."