A sample prompt of what you can find in this page
Prompt by fd8cf22ef9d

tangled prompts

hundreds of results

8 months ago

A lone diver hovers in the crushing depths of the deep ocean abyss, surrounded by an infinite void where no light from above can penetrate. The environment is a suffocating expanse of blackness, silent and immense. The diver’s powerful headlamp is the only source of light, cutting through the darkness in a sharp, focused beam. The beam falls directly on the shadowy silhouette of a colossal sea monster, looming in the void just beyond the diver’s reach. The light reveals fragments of its immense body: a glowing, unblinking eye (1.3), jagged fins, and sections of armored scales that reflect the light faintly. The monster’s vast size is implied by its curved outline, which stretches into the darkness beyond the illuminated area. The diver’s headlamp catches part of the monster’s face, revealing rough, textured scales and the faint gleam of its eye. The rest of the creature remains hidden, its sheer scale hinted at by subtle shadows and faint contours. The diver is motionless, dwarfed by the massive form before them. Beneath the monster’s looming shadow, the wreck of a sunken ship lies broken and rusted, tangled in cables and encrusted with marine life. Fine sediment particles drift lazily in the headlamp beam, glowing softly and creating smooth, seamless transitions between light and shadow. Flickering bioluminescent marine life—electric blue, neon green, and violet—dart briefly through the scene, adding a touch of eerie vibrancy to the alien setting. The deep ocean is an infinite void, devoid of surface light or ambient glow. Only the diver’s headlamp illuminates the scene, carving out a narrow sanctuary in the crushing darkness. The composition is cinematic and tense, with the monster’s fragmented presence creating an atmosphere of awe and dread, balanced against the haunting stillness of the wrecked ship

8 months ago

A dark, decayed factory steeped in dampness and neglect. Rows of broken, lifeless androids hang from chains and diagnostic cables, their battered forms suspended like relics of a forgotten era. Each android faces forward, their heads slumped and limbs dangling limply, as if gravity alone holds them in place. The androids are diverse—some humanoid with slender frames and fragmented synthetic skin, others industrial with exposed hydraulics, rusted plating, and shattered components. Many are missing limbs, their wires and cables hanging loosely, sparking faintly in the oppressive gloom. Among the rows, two androids stand out—their hands intertwined in a final act of connection before their power cells died. One is humanoid, its delicate features cracked and weathered, its synthetic skin peeling to reveal intricate, rusting frameworks. The other is industrial, bulkier, with heavier plating and exposed joints, its arm barely holding on by a tangle of wires. Their clasped hands emit a faint glow, flickering like dying embers, the last remnant of their shared existence. The factory is drenched in atmosphere. Thick haze and mist cling to every surface, illuminated by the weak, flickering glow of malfunctioning CRT screens and sparking cables. Dim red light spills from a cracked overhead lamp, casting diffuse shadows across the room. A faint, rhythmic drip echoes through the cavernous space, the sound amplified by the oppressive silence. A flickering sign above the rows reads: “ANDROID MULTI-PURPOSE FOUNDRY.” The foundry walls are lined with rusted, obsolete machinery and control panels. Pools of stagnant water collect on the floor, reflecting the faint, scattered light in jagged, broken patterns. Dust and smoke swirl in the air, cutting through the faint godrays that streak through shattered skylights, further obscured by the thick haze. The shadows of dangling chains and lifeless androids create eerie silhouettes on the mist-covered walls. The atmosphere is suffocatingly gritty, a testament to the decay of innovation. The androids stand as silent witnesses to a bygone era, their shattered forms a chilling reflection of the hubris and failure of their creators. The two holding hands, surrounded by rows of decaying machines, remain a quiet, haunting symbol of connection amidst the ruin.

5 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

17 days ago

Highly stylized fashion photo from Annie Leibovitz. The image is a thin Hawaiian woman with long, curly, dark brown to black hair that cascades down her back and shoulders. The background is a desolate, grey, cityscape. She stands at the edge of a destroyed bridge. Massive chunks of concrete hang over the river below, cables snapped and tangled. She's clutching a frayed map, her brow furrowed in frustration. The distant skyline is barely visible through thick smoke and rain. She is wearing a traditional outfit. The top is a red, strapless bandeau style with intricate patterns in darker red and white, resembling tribal or woven designs. Around her neck, she wears a beaded necklace with small white beads and a prominent blue-turquoise pendant with a unique, textured design. Her lower garment appears to be a skirt made of natural fibers, possibly straw or woven leaves, featuring a light beige or cream color. The skirt has layered sections, with decorative elements such as woven patterns, cutouts, and some yellow or gold floral designs. A red sash or piece of fabric is tied around her waist over the skirt. The skirt extends roughly to her knees and has a natural, fringe-like hem. She is barefoot, and her body posture shows her with hands on her hips, conveying a sense of confidence and readiness. The overall impression is that of a strong, resourceful, and culturally distinct individual. 1. **Skin Wetness/Oiling Enhancement:** The most prominent effect is the amplification of the wet or oily appearance of the skin. This would involve increasing specular highlights and potentially adding small white/light-colored dots or strokes to simulate water droplets or a very oily sheen. This could be achieved through dodge and burn techniques (selectively lightening highlights), adding a subtle glint or sparkle effect, or enhancing existing reflections. 2. **Contrast Boost (Selective):** There's a strong, perhaps localized, contrast applied that makes the highlights pop significantly, especially on the wet skin, while maintaining deep shadows that hint at form and muscle definition. This isn't a global contrast applied to the whole image, as the background remains relatively soft. 3. **Color Saturation (Warm Tones):** The skin tones appear richly saturated and warm, enhancing the natural warmth of the subject's complexion. This might involve a slight increase in overall saturation, particularly in reds and yellows, or a selective saturation boost to the skin tones. 4. **Shadow Deepening:** The shadows, particularly on the body and the background, are quite deep and consistent, creating a dramatic and somewhat intimate mood. This would involve lowering shadow levels and possibly adding a subtle crush to the blacks to make them darker without losing too much detail. 5. **Reflective Catchlight Enhancement (Eyes):** The catchlights in the subject's eyes are very bright and distinct, making the eyes stand out. This could be achieved by selectively dodging or brightening the existing reflections in the pupils. 6. **Subtle Vignetting (Implied):** While not overtly obvious, there might be a very subtle darkening around the edges of the image, helping to draw attention to the central subject. This would be a soft vignetting effect. 7. **Clarity/Texture Enhancement (Skin, Subtle):** While the skin appears smooth due to the wetness, there's a subtle enhancement of texture in areas that aren't fully blown out by highlights, which could be achieved through a slight increase in clarity or micro-contrast. 8. **Overall Warm Color Grade:** Beyond simple saturation, there might be a subtle warm color grade applied to the entire image, leaning towards warmer greens in the background and warm browns in the skin.

8 months ago

An epic, gritty scene (1.8) in the style of Makoto Shinkai (1.6), showcasing an archangel ascending from the depths of hell (1.8). The angel, his radiant light undiminished (1.7), hovers just above a massive, writhing pile of grotesque demons (1.8), each demon clawing desperately at his legs and wings, their monstrous forms twisted with rage and desperation. His celestial garments are scorched and torn (1.8), the edges glowing faintly with embers from the fires of hell, exposing parts of his glowing, divine skin beneath. Despite the destruction, his majestic aura remains unyielding (1.7). The angel’s sword (1.7), etched with ancient golden runes (1.6) and glowing with an unrelenting holy fire, is raised high above his head, ready to deliver a devastating blow to the infernal horde below. His expression is resolute and fierce (1.6), his glowing eyes fixed downward on the demons that swarm beneath him, their twisted forms writhing and snapping in unholy rage. Beneath him, the mountain of demons (1.8) is vivid and horrifying, a chaotic tangle of claws, fangs, and twisted limbs (1.7). Some demons grab at his legs and wings (1.8), leaving blackened claw marks on his armor and glowing feathers, while others rear back in agony from the blinding holy light. Their forms are diverse and terrifying: some are smoke-like shadows with glowing red eyes (1.7), while others are massive, spiked creatures with gnarled horns and jagged teeth, their mouths dripping molten venom (1.8). The landscape of hell is apocalyptic (1.8), with rivers of lava glowing faintly beneath the writhing mass of demons. Above, a relentless storm of molten lava hail (1.7) rains down, searing the ground and the demons alike. Brimstone fills the air, mixing with thick smoke and ash, illuminated by the hellish glow of the inferno. Volcanic eruptions burst in the background, their fiery plumes adding to the overwhelming chaos of the scene. The archangel’s wings (1.7), enormous and majestic, span 25 meters, their feathers glowing with radiant hues of white, gold, and celestial blue (1.6), cutting through the suffocating darkness. Despite the demons' desperate attempts to pull him down, the angel’s divine presence creates a blinding halo of light (1.7), pushing back the shadows of hell. The molten hail and embers swirl around him, the fiery atmosphere emphasizing his unyielding determination. Volumetric lighting (1.6) streams through the swirling smoke and ash, casting dramatic shadows across the scene. The contrast between the angel’s blinding holy light and the hellish, gritty chaos of the demons and environment creates a cinematic tension, highlighting the eternal battle between divine and infernal forces. The overall composition is intense and dynamic (1.7), with the angel’s raised sword and massive wings dominating the upper frame, while the chaotic pile of demons and fiery hellscape fills the lower half. The atmosphere is overwhelming, with every detail contributing to the unbearable, apocalyptic tension of the angel’s escape from hell.

4 months ago

(Primary Subject: Woman, Transparent Body, Internal Organs Visible, 1.6 weight), suspended mid-air within a tall, cylindrical glass chamber filled with luminous, teal-hued suspension fluid. Her skin is entirely absent, exposing intricate internal organs—heart pulsing vividly, lungs rhythmically inflating, and veins branching like delicate crimson lace (intricate anatomical accuracy, vivid colors, hyper-realistic details, 1.5 weight). Surrounding her is a complex science lab rendered in a fusion of Cassette Futurism and Atompunk styles. Vintage technology—analog dials, bulky CRT monitors flickering with green data streams, magnetic tapes spinning, tangled cables, and softly glowing vacuum tubes—is intricately arranged, suggesting advanced but archaic machinery (Cassette Futurism aesthetics, Atompunk elements, 1.4 weight). The lab lighting is dim, moody, casting dramatic, cinematic shadows that amplify the mystery of the scene. Warm, amber indicator lights contrast starkly with cool, teal-hued chamber illumination, creating dynamic interplay (dramatic cinematic lighting, volumetric illumination, strong chiaroscuro, 1.4 weight). Rendered photographically, utilizing the cinematic realism and fine grain of classic film stock captured through a Leica Summilux lens (cinematic lens effects, film grain texture, shallow depth of field, 1.3 weight). The composition evokes both scientific awe and haunting existential wonder, a blend of intrigue and unsettling beauty (narrative depth, symbolic complexity, emotional impact, 1.3 weight).

8 months ago

An epic, gritty scene (1.8) in the style of Makoto Shinkai (1.6), showcasing an archangel ascending from the depths of hell (1.8). The angel, his radiant light undiminished (1.7), hovers just above a massive, writhing pile of grotesque demons (1.8), each demon clawing desperately at his legs and wings, their monstrous forms twisted with rage and desperation. His celestial garments are scorched and torn (1.8), the edges glowing faintly with embers from the fires of hell, exposing parts of his glowing, divine skin beneath. Despite the destruction, his majestic aura remains unyielding (1.7). The angel’s sword (1.7), etched with ancient golden runes (1.6) and glowing with an unrelenting holy fire, is raised high above his head, ready to deliver a devastating blow to the infernal horde below. His expression is resolute and fierce (1.6), his glowing eyes fixed downward on the demons that swarm beneath him, their twisted forms writhing and snapping in unholy rage. Beneath him, the mountain of demons (1.8) is vivid and horrifying, a chaotic tangle of claws, fangs, and twisted limbs (1.7). Some demons grab at his legs and wings (1.8), leaving blackened claw marks on his armor and glowing feathers, while others rear back in agony from the blinding holy light. Their forms are diverse and terrifying: some are smoke-like shadows with glowing red eyes (1.7), while others are massive, spiked creatures with gnarled horns and jagged teeth, their mouths dripping molten venom (1.8). The landscape of hell is apocalyptic (1.8), with rivers of lava glowing faintly beneath the writhing mass of demons. Above, a relentless storm of molten lava hail (1.7) rains down, searing the ground and the demons alike. Brimstone fills the air, mixing with thick smoke and ash, illuminated by the hellish glow of the inferno. Volcanic eruptions burst in the background, their fiery plumes adding to the overwhelming chaos of the scene. The archangel’s wings (1.7), enormous and majestic, span 25 meters, their feathers glowing with radiant hues of white, gold, and celestial blue (1.6), cutting through the suffocating darkness. Despite the demons' desperate attempts to pull him down, the angel’s divine presence creates a blinding halo of light (1.7), pushing back the shadows of hell. The molten hail and embers swirl around him, the fiery atmosphere emphasizing his unyielding determination. Volumetric lighting (1.6) streams through the swirling smoke and ash, casting dramatic shadows across the scene. The contrast between the angel’s blinding holy light and the hellish, gritty chaos of the demons and environment creates a cinematic tension, highlighting the eternal battle between divine and infernal forces. The overall composition is intense and dynamic (1.7), with the angel’s raised sword and massive wings dominating the upper frame, while the chaotic pile of demons and fiery hellscape fills the lower half. The atmosphere is overwhelming, with every detail contributing to the unbearable, apocalyptic tension of the angel’s escape from hell.

8 months ago

A lone diver hovers in the crushing depths of the deep ocean abyss, surrounded by an infinite void where no light from above can penetrate. The environment is a suffocating expanse of blackness, silent and immense. The diver’s powerful headlamp is the only source of light, cutting through the darkness in a sharp, focused beam. The beam falls directly on the shadowy silhouette of a colossal sea monster, looming in the void just beyond the diver’s reach. The light reveals fragments of its immense body: a glowing, unblinking eye (1.3), jagged fins, and sections of armored scales that reflect the light faintly. The monster’s vast size is implied by its curved outline, which stretches into the darkness beyond the illuminated area. The diver’s headlamp catches part of the monster’s face, revealing rough, textured scales and the faint gleam of its eye. The rest of the creature remains hidden, its sheer scale hinted at by subtle shadows and faint contours. The diver is motionless, dwarfed by the massive form before them. Beneath the monster’s looming shadow, the wreck of a sunken ship lies broken and rusted, tangled in cables and encrusted with marine life. Fine sediment particles drift lazily in the headlamp beam, glowing softly and creating smooth, seamless transitions between light and shadow. Flickering bioluminescent marine life—electric blue, neon green, and violet—dart briefly through the scene, adding a touch of eerie vibrancy to the alien setting. The deep ocean is an infinite void, devoid of surface light or ambient glow. Only the diver’s headlamp illuminates the scene, carving out a narrow sanctuary in the crushing darkness. The composition is cinematic and tense, with the monster’s fragmented presence creating an atmosphere of awe and dread, balanced against the haunting stillness of the wrecked ship

7 months ago

An epic, gritty scene (1.8) in the style of Makoto Shinkai (1.6), showcasing an archangel ascending from the depths of hell (1.8). The angel, his radiant light undiminished (1.7), hovers just above a massive, writhing pile of grotesque demons (1.8), each demon clawing desperately at his legs and wings, their monstrous forms twisted with rage and desperation. His celestial garments are scorched and torn (1.8), the edges glowing faintly with embers from the fires of hell, exposing parts of his glowing, divine skin beneath. Despite the destruction, his majestic aura remains unyielding (1.7). The angel’s sword (1.7), etched with ancient golden runes (1.6) and glowing with an unrelenting holy fire, is raised high above his head, ready to deliver a devastating blow to the infernal horde below. His expression is resolute and fierce (1.6), his glowing eyes fixed downward on the demons that swarm beneath him, their twisted forms writhing and snapping in unholy rage. Beneath him, the mountain of demons (1.8) is vivid and horrifying, a chaotic tangle of claws, fangs, and twisted limbs (1.7). Some demons grab at his legs and wings (1.8), leaving blackened claw marks on his armor and glowing feathers, while others rear back in agony from the blinding holy light. Their forms are diverse and terrifying: some are smoke-like shadows with glowing red eyes (1.7), while others are massive, spiked creatures with gnarled horns and jagged teeth, their mouths dripping molten venom (1.8). The landscape of hell is apocalyptic (1.8), with rivers of lava glowing faintly beneath the writhing mass of demons. Above, a relentless storm of molten lava hail (1.7) rains down, searing the ground and the demons alike. Brimstone fills the air, mixing with thick smoke and ash, illuminated by the hellish glow of the inferno. Volcanic eruptions burst in the background, their fiery plumes adding to the overwhelming chaos of the scene. The archangel’s wings (1.7), enormous and majestic, span 25 meters, their feathers glowing with radiant hues of white, gold, and celestial blue (1.6), cutting through the suffocating darkness. Despite the demons' desperate attempts to pull him down, the angel’s divine presence creates a blinding halo of light (1.7), pushing back the shadows of hell. The molten hail and embers swirl around him, the fiery atmosphere emphasizing his unyielding determination. Volumetric lighting (1.6) streams through the swirling smoke and ash, casting dramatic shadows across the scene. The contrast between the angel’s blinding holy light and the hellish, gritty chaos of the demons and environment creates a cinematic tension, highlighting the eternal battle between divine and infernal forces. The overall composition is intense and dynamic (1.7), with the angel’s raised sword and massive wings dominating the upper frame, while the chaotic pile of demons and fiery hellscape fills the lower half. The atmosphere is overwhelming, with every detail contributing to the unbearable, apocalyptic tension of the angel’s escape from hell.

4 months ago

n a crumbling sanctuary built at the end of time, open to the sky and flooded with wild overgrowth, a solitary figure stands on a plinth of fractured obsidian—a synthetic angel, both artifact and oracle, mid-transmission. Her body is constructed from a dual-layered material: an outer shell of liquid mirror-glass, always in motion, bending light in surreal ripples—beneath it, a lattice of golden memory circuits, softly pulsing, like script woven from heat and purpose. She is not human. She is not machine. She is the last interface between meaning and forgetting. Her posture is both exalted and worn. One hand raised in silent benediction, the other buried in the tangle of flowering vines wrapping around her legs—life clinging to light, as though nature itself refuses to let go of what she remembers. Etched across her glass-like surface are thin veins of glowing amber: pathways of forgotten prayers, tracing up her legs, over her spine, across her collarbones like fading constellations. Her face is concealed behind a split golden visor, semi-open like the petals of a mechanical flower—revealing only light. From her back, two vast wings made of layered crystalline blades curve upward like collapsed architecture—part cathedral, part ruin. They shimmer not with fire, but with reflected memory, like a sky that forgot how to storm. Around her, broken statuary and shattered machines lie half-swallowed by roots and blossoms. In the distance, a forest made of circuitry burns without smoke—slowly, beautifully. Above, stars pulse in unnatural constellations, forming sigils from before language. Hovering just above her head spins a halo unlike any known form—a fractured ring of refracted glass, filled with flowing text that no longer aligns with any living tongue. It does not glow—it remembers. Rendered in the style of an impressionist-Renaissance hybrid painting, layered with visible brush textures, fog-softened edges, and gold-split chiaroscuro. Warm dusk tones dominate the palette: blood-orange, dusk-lavender, rusted copper, soft pollen white. She is the Benediction Engine—not worshipped, not feared, not obeyed. She simply remains, bearing witness to everything we were, and everything we failed to become.