which is on and showing static prompts

8 months ago

mysterious female figure in a glossy black latex bodysuit stands in front of a mirror, capturing a selfie. wearing a sleek black visor helmet reflecting ambient light with police written in LEDs, partially obscuring her face. black wires, cables and tubing cascade down blending with her long Wet, stringy black hair clings to her shoulders. The image quality is grainy, with a slight blur softening the details. The lighting is dim, casting shadows that obscure her features. The room is cluttered with, flickering CRT monitors displaying static with tangled cables strewn across the bed and an unmade blanket. Her expression is casual, full of concentration, while the old 50's camera struggles to focus, giving the photo an authentic, unpolished feel. The mirror shows smudges and fingerprints, adding to the raw, everyday atmosphere of the scene.

8 months ago

mysterious female figure in a glossy black latex bodysuit stands in front of a mirror, capturing a selfie. wearing a sleek black visor helmet reflecting ambient light with police written in LEDs, partially obscuring her face. black wires, cables and tubing cascade down blending with her long Wet, stringy black hair clings to her shoulders. The image quality is grainy, with a slight blur softening the details. The lighting is dim, casting shadows that obscure her features. The room is cluttered with, flickering CRT monitors displaying static with tangled cables strewn across the bed and an unmade blanket. Her expression is casual, full of concentration, while the old 50's camera struggles to focus, giving the photo an authentic, unpolished feel. The mirror shows smudges and fingerprints, adding to the raw, everyday atmosphere of the scene.

2 months ago

cinematic wide shot, dystopian Jakarta 1990s, old bus stop with glowing red neon "Halte" sign, 2 people with CRT television heads showing static, welding visor faces, lonely man silhouette from behind, heavy rain, wet asphalt reflecting neon lights, style of irenee terreneuve, moody atmosphere, no text, no modern elements --ar 16:9

8 months ago

"A cartoon-style boy running and looking back, with a scared and humorous expression, laughing with a scared face. He has a medium beard, wears a black hoodie and round glasses. Behind him, in a line, are several monsters running after him in a row. The boy is running towards a 90s tube TV to get inside, which is on and showing static. The scene is dynamic, with movement and action, in the classic cartoon style, where the characters run in a line in an exaggerated and funny way. The background is a scene with neutral colors, white or black. The colors are vibrant, with shades of orange, blue and purple, and the style is cartoon, with expressive features and humorous details. Lines of movement around the characters indicate action and speed.

5 months ago

*A painting in the style of Pieter Jans Saenredam, master of luminous, meticulously detailed 17th-century interiors. The setting is an expansive, vaulted museum hall bathed in soft daylight pouring through high arched windows. The architecture is elegant and austere—clean lines, pale stone, a sense of sacred stillness. Yet this stillness is breaking. Classical marble sculptures—Roman soldiers, Greek gods, Renaissance muses—are in the midst of coming to life. One statue's foot is suspended midair as it steps down from a pedestal; another figure looks directly at the viewer, its stone eyes now animated with expression. Cracks form where rigid limbs are beginning to flex, and fragments of marble flake off to reveal living flesh beneath. On the walls, large oil paintings in sleek black and silver frames are no longer static. Figures inside them are bursting into motion—one canvas shows a woman tearing the painted surface open like a curtain, another depicts a battle scene where soldiers are charging out into the room, their feet and weapons breaching the picture plane. A cherub’s wings flutter outside the frame, casting shadows on the real floor. The boundary between artwork and reality is collapsing, yet the composition holds Saenredam’s restrained geometry, quiet light, and reverent sense of space—making the surreal phenomenon even more hauntingly vivid.

5 months ago

*A painting in the style of Pieter Jans Saenredam, master of luminous, meticulously detailed 17th-century interiors. The setting is an expansive, vaulted museum hall bathed in soft daylight pouring through high arched windows. The architecture is elegant and austere—clean lines, pale stone, a sense of sacred stillness. Yet this stillness is breaking. Classical marble sculptures—Roman soldiers, Greek gods, Renaissance muses—are in the midst of coming to life. One statue's foot is suspended midair as it steps down from a pedestal; another figure looks directly at the viewer, its stone eyes now animated with expression. Cracks form where rigid limbs are beginning to flex, and fragments of marble flake off to reveal living flesh beneath. On the walls, large oil paintings in sleek black and silver frames are no longer static. Figures inside them are bursting into motion—one canvas shows a woman tearing the painted surface open like a curtain, another depicts a battle scene where soldiers are charging out into the room, their feet and weapons breaching the picture plane. A cherub’s wings flutter outside the frame, casting shadows on the real floor. The boundary between artwork and reality is collapsing, yet the composition holds Saenredam’s restrained geometry, quiet light, and reverent sense of space—making the surreal phenomenon even more hauntingly vivid.

5 months ago

*A painting in the style of Pieter Jans Saenredam, master of luminous, meticulously detailed 17th-century interiors. The setting is an expansive, vaulted museum hall bathed in soft daylight pouring through high arched windows. The architecture is elegant and austere—clean lines, pale stone, a sense of sacred stillness. Yet this stillness is breaking. Classical marble sculptures—Roman soldiers, Greek gods, Renaissance muses—are in the midst of coming to life. One statue's foot is suspended midair as it steps down from a pedestal; another figure looks directly at the viewer, its stone eyes now animated with expression. Cracks form where rigid limbs are beginning to flex, and fragments of marble flake off to reveal living flesh beneath. On the walls, large oil paintings in sleek black and silver frames are no longer static. Figures inside them are bursting into motion—one canvas shows a woman tearing the painted surface open like a curtain, another depicts a battle scene where soldiers are charging out into the room, their feet and weapons breaching the picture plane. A cherub’s wings flutter outside the frame, casting shadows on the real floor. The boundary between artwork and reality is collapsing, yet the composition holds Saenredam’s restrained geometry, quiet light, and reverent sense of space—making the surreal phenomenon even more hauntingly vivid.

8 months ago

The camera rotates around a large stack of vintage televisions all showing different programs — 1950s sci-fi movies, horror movies, news, static, a 1970s sitcom, etc, set inside a large New York museum gallery.

8 months ago

A close-up of a monstrous creature, likely from a horror film. The creature is fleshy, pale pink, and has a grotesque, distorted appearance. Its skin appears slimy and glistening. Large, sharp teeth are prominent in an open, wide-mouthed scream. The creature's eyes are large and unsettling, with intense, glowing yellow-white color. Its facial features are exaggerated and inhuman, with a heavy, bulbous nose and bulging, fleshy cheeks. Its body is thick and disproportionately large, and its build is obese, almost caricature-like. The creature is positioned in the center of the image, filling most of the frame. It is facing directly at the viewer, its intense expression filling the image's focus. The lighting is harsh and spotlights the creature's corrupted features. The background is out-of-focus but shows a damp, dark, and possibly subterranean environment. Drips and moisture are visible in the background, contributing to a nightmarish setting. The composition is static and highlights the creature's menacing presence, emphasizing the horror genre style and atmosphere.

8 months ago

mysterious female figure in a glossy black latex bodysuit with translucent, vein-like biomechanical arms stands in front of a mirror, capturing a selfie. a sleek black visor helmet reflecting ambient light, partially obscuring her face. Wet, stringy hair clings to her shoulders. The image quality is grainy, with a slight blur softening the details. The lighting is dim, casting shadows that obscure her features. The room is cluttered with, flickering CRT monitors displaying static with tangled cables strewn across the bed and an unmade blanket. Her expression is casual, full of concentration, while the old iPhone struggles to focus, giving the photo an authentic, unpolished feel. The mirror shows smudges and fingerprints, adding to the raw, everyday atmosphere of the scene.

8 months ago

mysterious female figure in a glossy black latex bodysuit with translucent, vein-like biomechanical arms stands in front of a mirror, capturing a selfie. a sleek black visor helmet reflecting ambient light, partially obscuring her face. Wet, stringy hair clings to her shoulders. The image quality is grainy, with a slight blur softening the details. The lighting is dim, casting shadows that obscure her features. The room is cluttered with, flickering CRT monitors displaying static with tangled cables strewn across the bed and an unmade blanket. Her expression is casual, full of concentration, while the old iPhone struggles to focus, giving the photo an authentic, unpolished feel. The mirror shows smudges and fingerprints, adding to the raw, everyday atmosphere of the scene.

8 months ago

mysterious female figure in a glossy black latex bodysuit stands in front of a mirror, capturing a selfie. wearing a sleek black visor helmet reflecting ambient light with wires cables and tubing flowing down, partially obscuring her face. long Wet, stringy black hair clings to her shoulders. The image quality is grainy, with a slight blur softening the details. The lighting is dim, casting shadows that obscure her features. The room is cluttered with, flickering CRT monitors displaying static with tangled cables strewn across the bed and an unmade blanket. Her expression is casual, full of concentration, while the old 50's camera struggles to focus, giving the photo an authentic, unpolished feel. The mirror shows smudges and fingerprints, adding to the raw, everyday atmosphere of the scene.

8 months ago

mysterious female figure in a glossy black latex bodysuit stands in front of a mirror, capturing a selfie. wearing a sleek black visor helmet reflecting ambient light with wires cables and tubing flowing down, partially obscuring her face. long Wet, stringy black hair clings to her shoulders. The image quality is grainy, with a slight blur softening the details. The lighting is dim, casting shadows that obscure her features. The room is cluttered with, flickering CRT monitors displaying static with tangled cables strewn across the bed and an unmade blanket. Her expression is casual, full of concentration, while the old 50's camera struggles to focus, giving the photo an authentic, unpolished feel. The mirror shows smudges and fingerprints, adding to the raw, everyday atmosphere of the scene.

8 months ago

mysterious female figure in a glossy black latex bodysuit stands in front of a mirror, capturing a selfie. wearing a sleek black visor helmet reflecting ambient light, partially obscuring her face. Wet, stringy black hair clings to her shoulders. The image quality is grainy, with a slight blur softening the details. The lighting is dim, casting shadows that obscure her features. The room is cluttered with, flickering CRT monitors displaying static with tangled cables strewn across the bed and an unmade blanket. Her expression is casual, full of concentration, while the old 50's camera struggles to focus, giving the photo an authentic, unpolished feel. The mirror shows smudges and fingerprints, adding to the raw, everyday atmosphere of the scene.

8 months ago

mysterious female figure in a glossy black latex bodysuit stands in front of a mirror, capturing a selfie. wearing a sleek black visor helmet reflecting ambient light with police written in LEDs, partially obscuring her face. black wires, cables and tubing cascade down blending with her long Wet, stringy black hair clings to her shoulders. The image quality is grainy, with a slight blur softening the details. The lighting is dim, casting shadows that obscure her features. The room is cluttered with, flickering CRT monitors displaying static with tangled cables strewn across the bed and an unmade blanket. Her expression is casual, full of concentration, while the old 50's camera struggles to focus, giving the photo an authentic, unpolished feel. The mirror shows smudges and fingerprints, adding to the raw, everyday atmosphere of the scene.

8 months ago

mysterious female figure in a glossy black latex bodysuit stands in front of a mirror, capturing a selfie. wearing a sleek black visor helmet reflecting ambient light with police written in LEDs, partially obscuring her face. black wires, cables and tubing cascade down blending with her long Wet, stringy black hair clings to her shoulders. The image quality is grainy, with a slight blur softening the details. The lighting is dim, casting shadows that obscure her features. The room is cluttered with, flickering CRT monitors displaying static with tangled cables strewn across the floor and which reflects the light of the monitors. Her expression is casual, full of concentration, while the old 1950's camera struggles to focus, giving the photo an authentic, unpolished feel. The mirror shows smudges and fingerprints, adding to the raw, everyday atmosphere of the scene.

8 months ago

mysterious female figure in a glossy black latex bodysuit stands in front of a mirror, capturing a selfie. wearing a sleek black visor helmet reflecting ambient light with police written in LEDs, partially obscuring her face. black wires, cables and tubing cascade down blending with her long Wet, stringy black hair clings to her shoulders. The image quality is grainy, with a slight blur softening the details. The lighting is dim, casting shadows that obscure her features. The room is cluttered with, Old CRT monitors displaying static blue screens line both sides of the narrow hallway, while tangled wires and exposed pipes run along the ceiling. Her expression is casual, full of concentration, while the old 1950's camera struggles to focus, giving the photo an authentic, unpolished feel. The mirror shows smudges and fingerprints, adding to the raw, everyday atmosphere of the scene.