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6 months ago

A realistic, candid, full body portrait photo of a tall, striking young Japanese man in his mid 20s inspired from Suguru Geto from Jujutsu Kaisen working as a Shinto priest, with long, flowing black hair—loosely tied into a man bun, with one loose strand down his left eyebrow framing his left face—stands before an ancient shrine, exuding quiet authority. His hair is slightly gathered back with a white shimenawa paper cord, mirroring his original messy-yet-controlled style. He wears a traditional white jōe priest robe, layered with a deep purple hakama sash tied neatly around his waist, its ends slightly frayed as if worn through years of use. Over this, a sheer black haori drapes elegantly from his shoulders, embroidered with faint, almost imperceptible cursed seals along the hem. His dark, calculating eyes—cold yet hypnotic—survey the shrine grounds with an air of detached reverence. One hand holds a gohei purification wand, its white shide strips fluttering unnaturally despite the still air. The other hand rests lightly on a sheathed ceremonial dagger at his hip, its hilt wrapped in dark silk. Behind him, the red torii gate casts long shadows, its vermilion paint seeming to bleed into the twilight. A single black magatama bead hangs from his neck, pulsing faintly as if alive. The overall composition is realistically-detailed and cinematic candid shot capturing the subject and the environment, creating a immersive and visually captivating realistic scene. The model should not be looking at the camera.

6 months ago

A realistic, candid, full body portrait photo of a tall, striking young Japanese man in his mid 20s inspired from Suguru Geto from Jujutsu Kaisen working as a Shinto priest, with long, flowing black hair—parted down the middle with one loose strand framing his left face—stands before an ancient shrine, exuding quiet authority. His hair is slightly gathered back with a white shimenawa paper cord, mirroring his original messy-yet-controlled style. He wears a traditional white jōe priest robe, layered with a deep purple kakama sash tied neatly around his waist, its ends slightly frayed as if worn through years of use. Over this, a sheer black haori drapes elegantly from his shoulders, embroidered with faint, almost imperceptible cursed seals along the hem. His dark, calculating eyes—cold yet hypnotic—survey the shrine grounds with an air of detached reverence. One hand holds a gohei purification wand, its white shide strips fluttering unnaturally despite the still air. The other hand rests lightly on a sheathed ceremonial dagger at his hip, its hilt wrapped in dark silk. Behind him, the red torii gate casts long shadows, its vermilion paint seeming to bleed into the twilight. A single black magatama bead hangs from his neck, pulsing faintly as if alive. The overall composition is realistically-detailed and cinematic candid shot capturing the subject and the environment, creating a immersive and visually captivating realistic scene. The model should not be looking at the camera.

6 months ago

A realistic, candid, full body portrait photo of a tall, striking young Japanese man in his mid 20s inspired from Suguru Geto from Jujutsu Kaisen working as a Shinto priest, with long, flowing black hair—parted down the middle with loose strands framing his sharp features—stands before an ancient shrine, exuding quiet authority. His hair is slightly gathered back with a white shimenawa paper cord, mirroring his original messy-yet-controlled style. He wears a traditional white jōe priest robe, layered with a deep purple kakama sash tied neatly around his waist, its ends slightly frayed as if worn through years of use. Over this, a sheer black haori drapes elegantly from his shoulders, embroidered with faint, almost imperceptible cursed seals along the hem. His dark, calculating eyes—cold yet hypnotic—survey the shrine grounds with an air of detached reverence. One hand holds a gohei purification wand, its white shide strips fluttering unnaturally despite the still air. The other hand rests lightly on a sheathed ceremonial dagger at his hip, its hilt wrapped in dark silk. Behind him, the red torii gate casts long shadows, its vermilion paint seeming to bleed into the twilight. A single black magatama bead hangs from his neck, pulsing faintly as if alive. The overall composition is realistically-detailed and cinematic candid shot capturing the subject and the environment, creating a immersive and visually captivating realistic scene. The model should not be looking at the camera.