This is yet another tribute to the great American Pin-up artists from the past.
Trained on 58 paintings by the American Artist Gillette Alexander Elvgren (March 15, 1914 – February 29, 1980)[1][2][3]. He was an American painter of pin-up models, advertising and illustration. Best known for his pin-up paintings for Brown & Bigelow, Elvgren studied at the American Academy of Art. He was strongly influenced by the early "pretty girl" illustrators, such as Charles Dana Gibson, Andrew Loomis, and Howard Chandler Christy. Other influences included the Brandywine School founded by Howard Pyle.[4]. To see his works, please go to www.gilelvgren.com/publications.php
Caveat: despite the fact that the LoRA is named "Pouting Beauties" because Elvgren is famous for them, I actually prefer his illustrations where the women are NOT pouting. So this version was trained mostly "pouting free". I'll be training another version with images of women pouting their lips later.
From ChatGPT:
Gillette Alexander Elvgren (March 15, 1914 – February 29, 1980) was one of America’s most iconic and prolific pin-up artists, known for his idealized yet playful depictions of women. A master of commercial illustration, Elvgren’s work helped define mid-20th-century American visual culture, blending glamour, innocence, and suggestive humor in a uniquely recognizable style.
Born: March 15, 1914, St. Paul, Minnesota
Died: February 29, 1980
Known for: Pin-up girls, advertising illustrations, calendar art
Major clients: Brown & Bigelow, Coca-Cola, General Electric
Bright, saturated colors with a soft, airbrushed look
Idealized but approachable women, often caught in humorous or slightly embarrassing moments (skirts flying up, caught in the rain, etc.)
Real models were used, but their features were enhanced to match his signature aesthetic
Highly narrative poses—every image tells a little story
Painterly realism combined with fantasy; he was a skilled draftsman and colorist
Elvgren studied at the American Academy of Art in Chicago.
He joined the Brown & Bigelow calendar company in 1937, where he produced over 500 pin-up illustrations for calendars and advertisements.
From the 1940s through the 1960s, his work was among the most widely circulated pin-ups in the U.S.
Unlike some contemporaries, Elvgren retained artistic control over his work and was closely involved in photoshoots and composition design.
Elvgren’s pin-ups became symbols of wartime morale, gracing WWII aircraft, lockers, and barracks.
His work influenced fashion photography, advertising, and modern pin-up revival artists.
Artists such as Olivia De Berardinis, Shag (Josh Agle), and Vargas revivalists cite him as a major influence.
He bridged the gap between fine art techniques and commercial appeal, much like Norman Rockwell did—though in a more flirtatious arena.
While artists like Alberto Vargas emphasized sensuality and ethereal elegance, Elvgren focused on personality and charm, often imbuing his subjects with a wholesome cheekiness. His girls aren’t just beautiful—they’re also funny, surprised, clever, and confident.
Would you like comparisons with other pin-up artists or suggestions for modern artists working in a similar style?
Here's both a comparison of Gil Elvgren with other classic pin-up artists and a list of modern artists inspired by or working in a similar style.
How Elvgren Differs
Alberto Vargas: Sleek, glamorous, airbrushed women with a focus on sensuality and grace.
Elvgren’s women are more playful, dynamic, and often caught mid-action
George Petty: Stylized, elongated legs and exaggerated proportions, used in Esquire.
Elvgren had a more painterly realism, emphasizing charm and narrative
Zoë Mozert: One of the few female pin-up artists; often modeled herself in delicate poses.
Elvgren focused on commercial pop appeal with cheekier, more expressive figures
Earl Moran: Combined cheesecake pin-ups with showbiz glamour (modeled Marilyn Monroe)
Elvgren’s work leaned more toward fun and domestic humor than movie star allure
Rolf Armstrong: Known for pastel pin-ups with a dreamy, idealized style.
Elvgren was more grounded in realism and used oil paints with staged photo references
Key Difference:
While many of his contemporaries emphasized beauty as object, Elvgren's pin-up girls had narrative and personality—they were characters, not just decoration.
These contemporary artists and illustrators have drawn inspiration—visually or thematically—from Elvgren’s legacy:
Olivia De Berardinis – Pin-up revivalist with a modern sensual twist; works often published in Playboy
Shag (Josh Agle) – Retro mid-century style with a pop color palette; echoes Elvgren’s storytelling and humor
Bettina May – Burlesque performer and artist whose photography and pin-up branding draw from classic aesthetics
Fritz Willis – Though he was a mid-century artist, his blend of expression and color has influenced younger illustrators
Chris Sanders – Creator of Lilo & Stitch, his playful female characters echo Elvgren’s curves and charm
Andrew Hickinbottom – 3D digital artist known for cartoonishly voluptuous female characters with a pin-up feel
Vargas Girls AI & Elvgren AI revivals – Many current retro-style campaigns use AI-trained generators to recreate his aesthetic
Would you like a visual timeline or suggested reading about Elvgren and his influence in pop culture and design?
This is epoch 9a, later epochs seems a bit overcooked. Other epochs (epoch 9b is good too) can be downloaded from tensor.art/models/867324334518092696/Gil-Elvgren-P1-1024CapD8A4Cos5-2025-05-24-05:44:13-Ep-9a
FLUX.1 - dev-fp8
Trigger: aliceneel2 painting
Repeat: 20 Epoch: 3 (Trained on 58 images at 512x512, 3480 total steps)
Then trained for another 3 epochs at 512x512, followed by 6 epochs at 1024x1024 for 12366 total steps.
Unet LR: 0.0005 Scheduler: cosine Optimizer: AdamW
Network Dim: 8: Alpha: 4
Epoch Loss
1 0.387
2 0.372
3 0.363
gilelvgren1 illustration.
A woman with dark shoulder-length hair styled in soft waves, in a white blouse with a high collar and a dark skirt, holding a large, waving American flag. Her hair is in soft curls. She is looking at the viewer.
4 0.367
5 0.350
6 0.334
gilelvgren1 illustration.
A woman in a white nurse's uniform with a nurse's cap with a red cross, standing before a large round object wrapped with an American flag. She holds a staff with flag cords hanging from it. The background is light cream. The word "I need your blood" is at the bottom left. There is a large red cross on the bottom right
Switched to 1024x1024 training, but also removed some closeup and those two
images with a men in them, so now down to 53 images.
In order to get close to a cost of 300 credits, change repeat from 20 to 17
(* 3 17 53)=2703 steps
001.jpeg 030.jpeg 032.jpeg 049.jpeg 056.jpeg
7a 0.331
8a 0.330
9a 0.331<
gilelvgren1 illustration.
A woman with short dark curly hair is shown in side profile. She is in a flowing light green off-shoulder gown and sits on an ornate chair with floral upholstery. She is turning her head to look at the viewer. The background is a warm, reddish-pink.
Resume training from epoch 6 and
Switched back to the original 58 images and 512x512, so see if I can "get back"
those images that the 1024x1024 version has some problem rendering, presumably
because the change of dataset and resolution "dislodged" those earlier training.
7b 0.343
8b 0.331
9b 0.319<-lowest
gilelvgren1 illustration.
A woman, wearing a white short-sleeved shirt and short jean shorts, walking a golden retriever, one hand in her pocket, the other holding the dog leash.
Resume training from epoch 9a and Switched 1024x1024 with 53 images
10a 0.329
11a 0.322
12a 0.314<
gilelvgren1 illustration of a blonde woman riding a bowsprit, a spar extending forward from the vessel's prow of a sailing boat, her hands holding the bowsprit tightly. She wears a classic sailor outfit, featuring a captain's cap, a blue top with white trim, a red scarf, and a striped skirt. Her outfit is complemented by sparkling silver shoes. The background shows a vast expanse of ocean, with waves visible in the foreground, and a clear sky above
Go ahead and upload yours!
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