still with her back to the camera FLUX prompts

6 months ago

Fashion editorial style, high-resolution realistic photo of a voluptuous ginger-haired woman with pale skin and freckles, standing waist-deep in clear ocean water. She wears a faded, old but still functional straw hat that adds a rustic touch. Seen from the back, she looks over her shoulder at the camera, wearing a glittering red thong. The shot features a cinematic angle with dynamic backlighting that creates a glowing rim light around her figure. Professional fashion photography quality, capturing natural textures and vibrant colors​​​

9 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front she needs to spread her legs and face the camera in order to clean properly

9 months ago

Prompt: Close-up of a nest in a luminous tree, camera pulling back as the man gazes at it, sparrows circling above a canopy of green. Mystical State: Eyes soft, breath steady, a gentle joy in his stillness.

5 months ago

A professional photograph, 9:16 portrait aspect ratio, of Calamity Jane Monroe (around 21-25 years old), with her back partially to the camera, looking over her shoulder with a captivating smile. She is behind the bar, pouring a drink. Her red silk blouse has slightly rolled-up sleeves, and her leather pants are visible. Her hat is still on. The background shows the vibrant activity of the saloon, with her youthful energy evident.​​​

9 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front she then sits down and spreads her legs and faces the camera in order to clean properly

9 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front

9 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front

9 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front

9 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

5 months ago

An alien creature with icy, textured skin stares directly ahead. Its eyes glow deep green, pulsating with an eerie inner energy. The alien blinks slowly – each eye one after the other, with a short delay. Its head makes a subtle, smooth movement: a slow tilt to the side and back, as if acknowledging something. The background is still and quiet, the camera remains completely stable. Lighting reflects coldly off the alien's face, enhancing the contrast to the glowing red eyes. The atmosphere feels ancient, intelligent, and unsettling.

6 months ago

Wide cinematic shot in a vast, sun-scorched desert. A dilapidated, rust-covered bus stop stands isolated under a blazing sky. On the weathered bench sit seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing the horizon, no faces visible, no eye contact: – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and long beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit holding a briefcase loosely by his side. All appear weary, slouched, fatigued, silently waiting. Above them, a weathered, cracked sign reads in faded letters: "Nobody has made it out alive." Long shadows stretch across the cracked earth. The mood is existential, surreal, still, full of quiet despair. NO FACES SHOWN. BACK VIEW ONLY. ALL CHARACTERS FACING AWAY. Ultra-cinematic lighting, shot on Cooke lenses, ARRI Alexa sensor, ultra-wide aspect ratio, 8K resolution, high dynamic range, golden hour light, dramatic shadows, film grain, color graded like a Denis Villeneuve film.

9 months ago

Imagine a scene where a person stands at the top of a towering mountain peak. The sun is just beginning to set, casting a warm, golden glow across the landscape. The sky is painted with hues of orange, pink, and purple, blending together in a breathtaking display of color. Below, a vast expanse of rolling hills and valleys stretch as far as the eye can see, shrouded in mist, suggesting a journey of perseverance that has led to this moment. The person is dressed in hiking gear, with their back to the camera, arms raised triumphantly to the sky in a gesture of victory and strength. Their silhouette is outlined by the last light of the day, symbolizing determination and achievement. The wind tousles their hair, adding a sense of motion to the stillness of the moment. You can almost feel the rush of accomplishment, the hard work and struggles that were overcome to reach this peak. In the foreground, a rocky outcrop juts out over the edge, emphasizing the heights that have been conquered. The person's gaze is fixed forward, not just at the view, but on the future, full of endless possibilities. The entire image radiates a sense of triumph, hope, and the power of persistence, as though it’s a reminder that the greatest rewards come from the most challenging journeys.

9 months ago

Imagine a scene where a person stands at the top of a towering mountain peak. The sun is just beginning to set, casting a warm, golden glow across the landscape. The sky is painted with hues of orange, pink, and purple, blending together in a breathtaking display of color. Below, a vast expanse of rolling hills and valleys stretch as far as the eye can see, shrouded in mist, suggesting a journey of perseverance that has led to this moment. The person is dressed in hiking gear, with their back to the camera, arms raised triumphantly to the sky in a gesture of victory and strength. Their silhouette is outlined by the last light of the day, symbolizing determination and achievement. The wind tousles their hair, adding a sense of motion to the stillness of the moment. You can almost feel the rush of accomplishment, the hard work and struggles that were overcome to reach this peak. In the foreground, a rocky outcrop juts out over the edge, emphasizing the heights that have been conquered. The person's gaze is fixed forward, not just at the view, but on the future, full of endless possibilities. The entire image radiates a sense of triumph, hope, and the power of persistence, as though it’s a reminder that the greatest rewards come from the most challenging journeys.

6 months ago

Cinematic wide shot in the middle of a vast desert. A dilapidated bus stop stands isolated under a harsh sun. Seated on a worn-out bench, all with their backs to the camera, are symbolic figures: a Muslim in traditional dress, an Orthodox Jew with a black hat and beard, a Catholic nun in habit, a Sikh man with a turban and long beard, a Buddhist monk in saffron robes, and a morbidly obese Superman, his cape dragging in the dust. A weary businessman in a suit holding a briefcase sits at one end, slouched. Everyone looks tired, their posture reflecting deep exhaustion and silent resignation. Above them hangs a broken, faded sign reading: “Nobody has made it out alive.” Bleak, existential mood. Shot with Cooke lenses, ARRI Alexa sensor, ultra-detailed, high dynamic range, 8K resolution. Desert textures, faded colors, surreal, symbolic, still frame.

9 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front she then sits down and spreads her legs and faces the camera in order to clean properly

9 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front

5 months ago

Fashion editorial style, high-resolution realistic photo of a voluptuous ginger-haired woman with pale skin and freckles, standing waist-deep in clear ocean water. She wears a faded, old but still functional straw hat that adds a rustic touch. Seen from the back, she looks over her shoulder at the camera, wearing a glittering red thong. The shot features a cinematic angle with dynamic backlighting that creates a glowing rim light around her figure. Professional fashion photography quality, capturing natural textures and vibrant colors​​​

3 months ago

hotorealistic, cinematic close-up: a person lying prone on a damp forest/jungle floor. Camera slightly top-down (~30°), framing the upper back. The person wears a wet dark teal linen/cotton shirt with fine weave texture. Along the spine: bioluminescent, golden-yellow to neon-green viscous resin/energy “ribs”, segmented like vertebrae, with thick glowing drips running sideways. Soft bloom/glow around the light, tiny air particles. From the right, a right hand (slender, light skin, short nails) rests gently on the glowing mass; the hand is underlit by the gold shine, tendons catching specular highlights. Background heavily out of focus with green leaves, very shallow depth of field, bokeh specks, subtle volumetric rays. Color grade: emerald & deep teal shadows, intense gold highlights; wet fabric speculars and micro droplets. Head partly cropped, no face visible. Mood of healing/magic energy, cinematic still, hyper-real, ultra-detailed.

4 months ago

Movie still from a 2020s Sci-Fi movie, an indian belly dancer wearing chainmail and dark makeup, dancing in an ancient temple surrounded by wisps of smoke coming from incense burners and oil lamps. The temple is lit by oil lamps casting colorful and intricate shadows and light. The lamplight makes her skin glow and highlights her face, Beaming Smile, komi-zyryan, RAW photo, braids, amber eyes, bored, silhouette, film grain, glowing zigzags, David LaChapelle, lips, dynamic camera, Fujifilm XT3, Waterfall braid hairstyle, corset, a woman looking at a mirror with bubbles in the air and a girl in a dress on a stool, gemstones, Inquisitive:1.2, highly detailed, pose from back, highly detailed and intricate, Rembrandt Lighting Style, greg hildebrandt and mark brooks, In the Galactic Starship sailing through Celestial Oceans, ring, blur, a photorealistic painting, wallpapper 8k uhd, soft lighting, fashion photography, dslr