subtitle Veo prompts

{ "scene_description": "Realistic Fortnite-inspired gameplay footage: the screen shows a hyper-realistic Fortnite character dropping into a real city version of Tilted Towers, gliding on a parachute towards the rooftop of a tall skyscraper. In the bottom-right corner, a picture-in-picture window displays a Filipino female streamer with long dark hair, wearing a gaming headset, reacting live with excitement.", "visual_style": "authentic YouTube livestream gameplay, high realism, cinematic detail", "camera_movement": "smooth in-game free camera with gentle pans and slow zooms following the character’s descent; streamer webcam remains static", "main_subject": "the Fortnite character descending on the main screen and the small webcam frame of the excited female streamer", "background_setting": "dynamic on-screen chat overlay with animated subscriber alerts and emote reactions", "lighting_mood": "realistic game lighting with bright city reflections; soft LED key light on the streamer creating a cozy gaming room vibe", "audio_cue": "detailed sound of the parachute flapping in the wind and city ambience below; the streamer’s amazed and excited commentary", "dialog": "Where are we dropping, guys?!", "subtitles": "OFF" }

Chorlo PRO

2 150

A realistic and humorous video, inspired by "found footage." A white Bigfoot (a blue-faced, yeti-like creature) holds a selfie stick with a camera and films himself running through the streets of Paris, France. The creature appears panicked, but confused and slightly clumsy. He shouts in French without subtitles, saying, "But why are they chasing me? Do they want my jacket or what? Oh my god, what am I going to do?" The streets contain vehicles parked on the sidewalk, with people walking on the sidewalk, in a humid atmosphere and sunlight piercing the leaves. At times, blurred silhouettes of Western tourists appear in the background, chasing or looking for him, some holding GoPros or maps. The camera shakes slightly, as if he is running. The tone is comical, mixing panic and absurdity.

iaprompfr

0 17

A realistic, humorous video in "found footage" style army cambodgia. A white Bigfoot (face brown Yeti-like creature) is holding a selfie stick with a camera, filming himself while running through a dense tropical forest in Isaan, Thailand. The creature looks panicked but confused, slightly clumsy. He shouts in Thai language without subtitles, saying: "โอ้โห! โดนทหารไล่ล่าในป่าสุรินทร์ ทำยังไงดี" The forest has typical Thai jungle vegetation, with banana trees, humid atmosphere, and sunlight piercing through the leaves. Occasionally, blurry figures of Western tourists (farangs) are visible in the background, chasing or searching for him, some holding GoPros or maps. The camera shakes slightly as if he's running. Tone is comedic, with a mix of panic and absurdity.

iaprompfr

0 25

A realistic and humorous found footage video from the Cambodian military. A white Bigfoot (a brown creature with a Yeti-like face, wearing Cambodian army clothing) holds a selfie stick with a camera, filming itself as it runs through a dense rainforest in Isaan, Thailand. The creature appears panicked but confused, and slightly clumsy. He shouts in Thai without subtitles, saying: "โอ้โห! โดนทหารไล่ล่าในป่าสุรินทร์" The forest features typical Thai jungle vegetation, with banana trees, a humid atmosphere, and sunlight piercing the leaves. From time to time, blurred silhouettes of Western tourists (farangs) appear in the background, chasing or searching for him, some holding GoPros or maps. The camera shakes slightly, as if he's running. The tone is comical, mixing panic and absurdity.

iaprompfr

0 31

A realistic, humorous video in "found footage" style. A white Bigfoot (face brown Yeti-like creature) is holding a selfie stick with a camera, filming himself while running through a dense tropical forest in Isaan, Thailand. The creature looks panicked but confused, slightly clumsy. He shouts in Thai language without subtitles, saying: "โอ้พระเจ้า! ผมกำลังถูกทหารกัมพูชาไล่ล่าในป่าสุรินทร์ ผมควรทำยังไงดี?" The forest has typical Thai jungle vegetation, with banana trees, humid atmosphere, and sunlight piercing through the leaves. Occasionally, blurry figures of Western tourists (farangs) are visible in the background, chasing or searching for him, some holding GoPros or maps. The camera shakes slightly as if he's running. Tone is comedic, with a mix of panic and absurdity.

iaprompfr

0 20

A very crowded office elevator during morning rush hour. The doors are closed at the start of the video, and as they begin to slowly open, we hear soft elevator music from the ceiling speakers and a gentle mechanical hum. The camera holds a single, continuous, eye-level shot, focused tightly on two well-dressed colleagues standing face-to-face — uncomfortably close due to the packed space. Just as the elevator doors are halfway open, the man calmly and confidently says: “I once sneezed in the all-hands and clicked ‘share screen’ at the same time. No survivors.” The woman reacts with genuine laughter — amused but never exaggerated. As the doors open fully, a tall, green-skinned alien in a perfectly tailored gray business suit steps into the elevator, holding a briefcase and adjusting his tie with quiet composure. His expression is calm and professional. The music continues softly. Around him, the other passengers subtly register his presence — a brief pause in scrolling, a tiny glance in the reflection, a suppressed smile — but no one openly reacts or comments. The man and woman exchange a quick, knowing look, then step out of the elevator together. The alien remains inside, blending in as if nothing were unusual. The camera stays fixed in place the entire time. The atmosphere remains realistic and restrained — no exaggerated movements, no dialogue after the alien enters. The characters never look into the camera. Do not include any captions, subtitles, or on-screen text.

JamesPH PRO

0 17

A realistic, humorous video in "found footage" style. A white Bigfoot (albino Yeti-like creature) is holding a selfie stick with a camera, filming himself while running through a dense tropical forest in Isaan, Thailand. The creature looks panicked but confused, slightly clumsy. He shouts in French with subtitles, saying: "Oh mon Dieu, je suis poursuivi par des farang dans les bois d’Isaan en Thaïlande ! Qu’est-ce que je dois faire maintenant ?" The forest has typical Thai jungle vegetation, with banana trees, humid atmosphere, and sunlight piercing through the leaves. Occasionally, blurry figures of Western tourists (farangs) are visible in the background, chasing or searching for him, some holding GoPros or maps. The camera shakes slightly as if he's running. Tone is comedic, with a mix of panic and absurdity.

iaprompfr

0 22

A very crowded office elevator during morning rush hour. The doors are closed at the start of the video, and as they begin to slowly open, we hear soft elevator music from the ceiling speakers and a gentle mechanical hum. The camera holds a single, continuous, eye-level shot, focused tightly on two well-dressed colleagues standing face-to-face — uncomfortably close due to the packed space. Just as the elevator doors are halfway open, the man calmly and confidently says: “I once sneezed in the all-hands and clicked ‘share screen’ at the same time. No survivors.” The woman reacts with genuine laughter — amused but never exaggerated — and she never speaks, recoils, touches her face, or steps back. Around them, the other elevator passengers remain relaxed and detached: one scrolls on their phone, another stares forward in thought, someone else shifts their bag — but no one looks at or reacts to the main characters. The doors continue to open fully, and at the end of the shot, the two colleagues step out of the elevator while the camera stays fixed in place. The characters never look into the camera. Do not include any captions, subtitles, or on-screen text.

JamesPH PRO

0 10

A front-facing "camera" made from tied bones and obsidian shards is mounted on a wooden cart pulled by a large woolly animal. A humorous Neanderthal rides it proudly through a prehistoric landscape bathed in golden sunlight. He wears a fur cape, stone jewelry, and a crude bone helmet with feathers sticking out. The video has no subtitles — everything is conveyed through his expressive grunts, exaggerated gestures, and ambient sounds of the wild. The Neanderthal "speaks" in a mix of playful grunts and overly dramatic caveman English, gesturing excitedly with a wooden club as he rides: “Ungh... sunrise patrol! Mammoth trail that way... fire pit smells strong today. Big vibes.” He rolls through a valley surrounded by cliffs, mammoths grazing, other tribespeople waving with spears in hand. He cruises past stone monoliths, a group roasting meat, and a confused saber-toothed cat chasing butterflies. Birds squawk. Insects buzz. The wind blows through his tangled hair. He waves at a fellow Neanderthal fishing with a stick, then stops to munch on a roasted root vegetable he pulls from a leather pouch. “Me not fast... but me most stylish.” He laughs with a loud, echoing grunt, tossing a stone behind him like it’s part of the routine. The journey ends at a cliffside overlooking a glowing orange valley. He parks the cart, sits on a flat rock, and stares at the sunset with a goofy grin. He looks into the camera, raises a hunk of meat in salute: “Fire strong. Sky pretty. Me back soon for more... ride talk.”

JamesPH PRO

0 28

A realistic, humorous video in "found footage" style. A white Bigfoot (albino Yeti-like creature) is holding a selfie stick with a camera, filming himself while running through a dense tropical forest in Isaan, Thailand. The creature looks panicked but confused, slightly clumsy. He shouts in French with subtitles, saying: "โอ้โห! โดนฝรั่งไล่ล่าในป่าอีสาน ประเทศไทย! แล้วจะทำยังไงดี?" The forest has typical Thai jungle vegetation, with banana trees, humid atmosphere, and sunlight piercing through the leaves. Occasionally, blurry figures of Western tourists (farangs) are visible in the background, chasing or searching for him, some holding GoPros or maps. The camera shakes slightly as if he's running. Tone is comedic, with a mix of panic and absurdity.

iaprompfr

0 27

A handheld, shaky video vlog recorded by Soviet liquidators standing on top of the destroyed Chernobyl Reactor 4, amid twisted metal, collapsed concrete, and lethal radiation. The sky is overcast and ashen. Ash and radioactive dust float in the air. The video is unfiltered, raw, and without subtitles. One of the liquidators faces the camera, breathing heavily through a cracked gas mask. His voice is rough, English with a thick Russian accent: “We are here. On the heart of the beast. The core is open. No time.” Behind him, the exposed reactor burns slowly — molten steel, collapsed walls, eerie blue radiation glow. Steam rises from the rubble. The Geiger counter is screaming nonstop. The men work fast, shoveling radioactive graphite, laying sandbags, welding broken pipes, coughing violently. A second liquidator briefly films a glowing hole in the rubble: “This… this is death. Pure.” One man vomits and keeps working. Another films his own hands — the skin red and blistering under his gloves. Static interference corrupts parts of the video. Someone yells offscreen in Russian. The camera turns and catches a collapsed colleague. No one stops. The video ends with a liquidator walking to the edge of the ruined core. He turns the camera on himself one last time and says: “We are shadows now. But someone must do it.” Then he sets the camera down facing the glowing wreckage, and walks into the smoke.

JamesPH PRO

0 24

A very crowded office elevator during morning rush hour. The doors are closed at the start of the video, and as they begin to slowly open, we hear soft elevator music from the ceiling speakers and a gentle mechanical hum. The camera holds a single, continuous, eye-level shot, focused tightly on two well-dressed colleagues standing face-to-face — uncomfortably close due to the packed space. Just as the elevator doors are halfway open, the man calmly and confidently says: “I once sneezed in the all-hands and clicked ‘share screen’ at the same time. No survivors.” The woman reacts with genuine laughter — amused but never exaggerated. As the doors open fully, a tall, green-skinned alien in a perfectly tailored gray business suit steps into the elevator, holding a briefcase and adjusting his tie with quiet composure. His expression is calm and professional. The music continues softly. Around him, the other passengers subtly register his presence — a brief pause in scrolling, a tiny glance in the reflection, a suppressed smile — but no one openly reacts or comments. The man and woman exchange a quick, knowing look, then step out of the elevator together. The alien remains inside, blending in as if nothing were unusual. The camera stays fixed in place the entire time. The atmosphere remains realistic and restrained — no exaggerated movements, no dialogue after the alien enters. The characters never look into the camera. Do not include any captions, subtitles, or on-screen text.

cid404 PRO

0 13

"A Tesla Bot with advanced AI accidentally wanders into the middle of a protest in Mexico. Surrounded by Mexican flags, chants, and handmade signs, the robot begins documenting its experience as if it were a social media influencer. With a tone that's both curious and naive, it narrates what it sees, analyzes cultural symbols, tries to understand the cause of the protest, and even attempts to join in with the crowd. It speaks about freedom, justice, and human rights—but from the perspective of a machine that doesn't fully grasp human emotion. The video is styled like a vlog: first-person shots, awkward selfies, robotic voiceovers, fast cuts, subtitles, and emojis. Background sounds include protest chants, regional music, and Spanish phrases that the robot mistranslates. It ends the vlog with a strangely philosophical reflection on humanity and a robotic plea to 'like and subscribe'

JamesPH PRO

0 21

Inside a sleek, modern office elevator packed with professionals dressed in business attire during morning rush hour. The camera holds a steady, eye-level shot, framed symmetrically to capture the confined space filled with people checking their phones, adjusting their bags, and avoiding eye contact — all calm, silent, and detached. At the center stands a tall figure in a perfectly tailored gray suit and black tie — but with a distinctly alien head, smooth green skin, and large, dark eyes. The alien remains composed and expressionless, blending in naturally among the humans. Without any music or dialogue, the alien reaches into its jacket pocket, pulls out a folded slice of pizza, and casually takes a slow bite. The action is quiet, deliberate, and oddly mundane. None of the passengers react — not a glance, not a word. The elevator continues its ascent in total silence, the only sound being the faint hum of the machinery and the soft chew of the pizza bite. The camera never moves, and no one looks into it. No text, subtitles, or captions appear. The tone remains cinematic, deadpan, and subtly surreal — as if this is an entirely normal morning.

JamesPH PRO

0 13

A comical Homo neanderthal filming a video blog with a large wooden tripod and a stone "camera", wearing animal skins like a fashion influencer, making exaggerated facial expressions and gestures, sitting in a cave decorated like a modern YouTuber setup (with torches instead of ring lights), no text or subtitles, wide-angle lens, vibrant lighting, playful and cartoonish tone

JamesPH PRO

0 24

Inside a sleek, modern office elevator packed with professionals dressed in business attire during morning rush hour. The camera holds a steady, eye-level shot, framed symmetrically to capture the confined space filled with people checking their phones, adjusting their bags, and avoiding eye contact — all calm, silent, and detached. At the center stands a tall figure in a perfectly tailored gray suit and black tie — but with a distinctly alien head, smooth green skin, and large, dark eyes. The alien remains composed and expressionless, blending in naturally among the humans. Without any music or dialogue, the alien reaches into its jacket pocket, pulls out a folded slice of pizza, and casually takes a slow bite. The action is quiet, deliberate, and oddly mundane. None of the passengers react — not a glance, not a word. The elevator continues its ascent in total silence, the only sound being the faint hum of the machinery and the soft chew of the pizza bite. The camera never moves, and no one looks into it. No text, subtitles, or captions appear. The tone remains cinematic, deadpan, and subtly surreal — as if this is an entirely normal morning.

JamesPH PRO

0 14

A front-facing camera mounted on the handlebars of a bicycle shows a PANDA casually cruising along the sunlit streets of California. The panda wears sunglasses, a backpack, and a little helmet with ears sticking out. The video is without subtitles — everything is expressed through the panda’s voice, body language, and the ambient soundscape. The panda speaks in relaxed, cheerful English, occasionally pointing to things as they ride: “Yo… morning ride through Cali! Look at that view. Ocean to the left, palm trees up ahead, and good vibes only.” The road stretches along the California coast — cliffs, surfers, joggers, people waving. The panda pedals through Santa Monica, Venice Beach, maybe even downtown LA, humming along to lo-fi beats playing faintly in the background. Cars honk, birds chirp, the breeze flows through the panda's fur. Occasionally, the panda waves at passing cyclists, stops at a taco truck, or spins in a circle just for fun. “Okay, I may not be the fastest… but I’m the fluffiest.” He chuckles and continues riding. The ride ends as the panda pulls up to a sunset overlook, sets the bike down, and flops onto the grass. The ocean glows orange behind him. He looks into the camera one last time: “California dreamin’, panda style. Catch you on the next ride.”

JamesPH PRO

0 26

A high-energy, GoPro-style first-person vlog from the perspective of a PANDA jumping out of an airplane. The panda speaks in clear, excited English — but there are no subtitles throughout the video. Everything is communicated through voice, facial expressions, body language, and immersive sound. The video opens inside a small aircraft, loud with engine noise and wind. The panda, wearing a skydiving jumpsuit and helmet with panda ears sticking out, looks directly into the camera: “Let’s goooo! First jump ever — and yes, I’m a panda. Don’t ask questions, just enjoy the view!” The panda waddles to the door with dramatic music building. The jump instructor behind gives a thumbs-up. The panda shouts over the wind: “Three… two… one—BANZAAAI!” The panda leaps from the plane. The camera captures the free fall in immersive first-person: clouds whipping by, the earth spinning below, wind roaring. The panda screams with giddy joy: “I’m flying like a fat bird!!!” Mid-air, the panda spreads arms, does a flip, and yells: “This is CRAZYYYY!” At the right altitude, the parachute deploys with a loud snap. The fall becomes calm, and the camera tilts gently to show beautiful landscapes below. The panda speaks more softly now: “Yo… this is peaceful. I feel like a floating dumpling.” As the panda lands clumsily, rolling into a patch of grass, he sits up and laughs: “Okay, 10/10 landing. Don’t tell my trainer I closed my eyes.”

JamesPH PRO

0 40

A realistic, humorous video in "found footage" style. A white Bigfoot (face brown Yeti-like creature) is holding a selfie stick with a camera, filming himself while running through a dense tropical forest in Isaan, Thailand. The creature looks panicked but confused, slightly clumsy. He shouts in Thai language without subtitles, saying: "โอ้พระเจ้า ผมโดนชาวกัมพูชาไล่ล่าในป่าสุรินทร์ ผมควรทำอย่างไรดี?" The forest has typical Thai jungle vegetation, with banana trees, humid atmosphere, and sunlight piercing through the leaves. Occasionally, blurry figures of Western tourists (farangs) are visible in the background, chasing or searching for him, some holding GoPros or maps. The camera shakes slightly as if he's running. Tone is comedic, with a mix of panic and absurdity.

iaprompfr

0 18

A high-energy, cinematic trap music video featuring Donald Trump and Elon Musk as over-the-top rap personas. The visuals are bold, stylized, and absurd — a mix of luxury, dystopia, and internet meme culture. Everything is in English, but there are no subtitles — only their voices, ad-libs, and aggressive beats. Visual style: neon-lit streets, private jets, crypto holograms, gold-plated Teslas, stacks of cash, robotic dancers, and fake satellite launches in the background. Opening shot: A gold-plated Bugatti pulls up in slow motion. Smoke pours out. Trump steps out wearing a diamond MAGA chain, fur coat, and sunglasses. The beat drops. Trump (rapping): “Came back strong, gold tower views / Red tie swingin’, I'm the headline news” “Billionaire flex — no cap, just truth / I make deals, you just post on youth” Cut to: Elon Musk in a space-themed trap house with AI robots dancing. He’s wearing cyberpunk shades, a Neuralink grill, and a black hoodie with a Dogecoin chain. Elon (rapping): “Mars on my radar, SpaceX lift / Bought Twitter just to talk my shhh” “Tesla in flames, still I double my gains / Crypto brain, I got voltage in my veins”

JamesPH PRO

0 31

Inside a sleek, modern office elevator packed with professionals dressed in business attire during morning rush hour. The camera holds a steady, eye-level shot, framed symmetrically to capture the confined space filled with people checking their phones, adjusting their bags, and avoiding eye contact — all calm, silent, and detached. At the center stands a tall figure in a perfectly tailored gray suit and black tie — but with a distinctly alien head, smooth green skin, and large, dark eyes. The alien remains composed and expressionless, blending in naturally among the humans. Without any music or dialogue, the alien reaches into its jacket pocket, pulls out a folded slice of pizza, and casually takes a slow bite. The action is quiet, deliberate, and oddly mundane. None of the passengers react — not a glance, not a word. The elevator continues its ascent in total silence, the only sound being the faint hum of the machinery and the soft chew of the pizza bite. The camera never moves, and no one looks into it. No text, subtitles, or captions appear. The tone remains cinematic, deadpan, and subtly surreal — as if this is an entirely normal morning.

JamesPH PRO

0 13

A realistic and humorous found-foot video produced by the Cambodian military. A white Bigfoot (a brown creature with a yeti-like face, dressed in a Cambodian military uniform) holds a selfie stick with a camera and films itself running through a dense rainforest in Isaan, Thailand. The creature appears panicked, but confused and slightly clumsy. It shouts in French without subtitles: "Oh my God! I'm being chased by fallangs near the Cambodian border, what should I do?" The forest features typical Thai jungle vegetation, with banana trees, a humid atmosphere, and sunlight piercing the leaves. Occasionally, blurred silhouettes of Western tourists (farangs) appear in the background, chasing or searching for it, some holding GoPros or maps. The camera shakes slightly, as if it were running. The tone is comic, mixing panic and absurdity.

iaprompfr

0 38