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Prompt by b365a3fc577

shot execution prompts

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8 months ago

Create a product exposure image of an all-white mattress, designed to mimic the dynamic presentation of a modern footwear product shot, specifically mirroring the angle and floating effect seen in the reference shoe image, but adapted for a mattress in pure white. Color and Texture: The mattress should be rendered in pure white, encompassing all surfaces – top panel, side panels, and edges. Maintain the same texture as a typical high-quality mattress fabric (e.g., quilted, subtly textured woven fabric) to ensure a realistic and tactile appearance, even in white. Angle, Perspective, and Levitating Inclination: The image should replicate the dynamic, elevated angle of the shoe, showcasing the mattress from a similar slightly top-down perspective, but with a more pronounced forward inclination. The mattress should appear to be levitating or suspended in mid-air, with a subtle, soft shadow cast underneath it to clearly indicate its separation from the ground and enhance the three-dimensional floating effect. The inclination should be adjusted so the mattress is less horizontal and more dynamically inclined forward, emphasizing its form and creating a sense of lightness. Background: The background should be completely neutral and devoid of color, effectively a very light grey or near-transparent to ensure the white mattress stands out prominently. The background should not compete with or distract from the pure white product, allowing the focus to remain entirely on the mattress and its form. Focus on Key Features (in White): The exposure should effectively emphasize the mattress's overall shape and construction, presented at the specified dynamic, levitating angle. Highlight the quilted top panel, the reinforced edges, and any visible layers or zones within the mattress construction – all rendered in pure white and differentiated by subtle texture variations. Any brand logo or label should be rendered in a very subtle, near-invisible white-on-white to maintain the pure white aesthetic and minimalist presentation. Color Palette and Visual Harmony (Monochromatic White): The color palette is strictly monochromatic white. The visual interest and depth should be derived entirely from the subtle variations in texture, lighting, and shadow within this pure white scheme. The overall visual harmony should communicate ultimate purity, cleanliness, and a pristine sense of comfort and restful sleep, all within a purely white aesthetic. Target Audience and Message: This product exposure, with its dynamic angle, levitating presentation, and pure white aesthetic, is designed to appeal to a target audience seeking minimalist design, ultimate cleanliness, and high-quality sleep products. The clean, pristine aesthetic and focus on construction details, presented in a dynamic and modern way, should communicate a message of superior comfort, support, and restful sleep technology, embodied in a design of pure, unadulterated white. Overall Style and Composition (Pure White Levitating Modernity): The image should have an ultra-clean, modern, and minimalist feel, defined by its pure white color scheme and levitating presentation. It should evoke a sense of pristine quality, ultimate comfort, and a futuristic, weightless sleep experience. The style should be informative and appealing, effectively communicating the mattress's design and value proposition to the target customer through a visually striking and modern composition, replicating the dynamic angle and floating effect of the shoe image, now executed in a purely white and levitating mattress

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."

5 months ago

A jaguar's head and its reflection in the water are captured in a close-up shot, showcasing the intricate details of its spotted coat. The scene composition is centered on the jaguar's head, which fills most of the frame. The jaguar's head is positioned at the mid-ground, and the water surface acts as a mirror, reflecting the jaguar's image beneath. A clear reflection shows the jaguar's head and the details of its spotted coat and features. The timing seems to be a still moment, the jaguar is poised above the water. The framing is tight, highlighting the jaguar's features in detail. The elements are positioned to create a visual effect of a double image, a reflection of the jaguar's head in the water surface. The key subject is a jaguar, with its head and the reflection of its head in the water. The jaguar has a spotted golden-brown coat with black spots, and the details of the spots are visible on its head and its reflection. The animal's expression appears alert and focused. The lighting emphasizes the jaguar's features and creates depth in the image, drawing the viewer's attention to the intricacies of the spotted coat. The artistic medium is likely photography. The technical execution is precise and shows a controlled use of light and shadow. The style characteristics focus on capturing the details and textures of the jaguar's coat and the reflection in the water. The creative choices focus on the dual image, a reflection of the jaguar's head, and the contrast between the textures and patterns of the spotted coat and the smooth surface of the water. The setting is within a body of water. The surroundings are dark, with the focus entirely on the jaguar and its reflection. The lighting is dramatic, drawing attention to the subject and highlighting its coat and the reflection in the water. The environmental elements create a sense of mystery and depth in the image. The overall atmosphere and mood are intense and mysterious, likely conveying a sense of wildlife encounter.