still with her back to the camera prompts

6 months ago

Fashion editorial style, high-resolution realistic photo of a voluptuous ginger-haired woman with pale skin and freckles, standing waist-deep in clear ocean water. She wears a faded, old but still functional straw hat that adds a rustic touch. Seen from the back, she looks over her shoulder at the camera, wearing a glittering red thong. The shot features a cinematic angle with dynamic backlighting that creates a glowing rim light around her figure. Professional fashion photography quality, capturing natural textures and vibrant colors​​​

9 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front she needs to spread her legs and face the camera in order to clean properly

2 months ago

A middle aged man with salt and pepper hair and beard, with an ideal, well-proportioned body is sitting casually in an all black Ford Mustang GT 5.0 parked on the side of a street in Hollywood at night. His hair is cut short, with the front slightly messy, giving an effortless yet stylish impression. He wears a casual low neck black t-shirt and faded jeans, clean sneakers. The car's front door is wide open. One of his legs is still inside the car, while the other rests on the wet asphalt, creating a laid-back yet stylish pose. His hand rests casually on his knee, and his face is slightly turned toward the camera, with a calm and confident expression staring as if he's in a movie. The background captures the iconic night atmosphere of Hollywood: colorful neon lights. large digital billboards, shops with bright neon signs, and wet streets reflecting the lights after rain. A few pedestrians walk in the distance, adding an urban vibe while keeping the focus on the main subject. Aspect ratio: 9:16

2 months ago

A young man with an ideal, well-proportioned body is sitting casually in a luxurious yellow chevrolet camaro parked on the side of a street in Tokyo at night. His hair is cut short, with the front slightly messy, giving an effortless yet stylish impression. He wears a casual Japanese street-style outfit: a dark oversized jacket, a basic black -shirt, loose-fit pants, clean sneakers .There car's front door is wide open. One of his legs is still inside the car, while the other rests on the wet asphalt, creating a laid-back yet stylish pose. His hand rests casually on his knee, and his face is slightly turned toward the camera, with a calm and confident expression staring as if he's in a movie. The background captures the iconic night atmosphere of Tokyo: colorful neon lights. large digital billboards, shops with Japanese signs, and wet streets reflecting the lights after rain. A few pedestrians walk in the distance, adding an urban vibe while keeping the focus on the main subject. Aspect ratio: 9:16”

2 months ago

Cinematic, hyper realism, high detail, octane render, 8k, ultra high resolution camera, focused, extreme details, cinematic, masterpiece, intricate, fine art photography a man with an ideal, well-proportioned body is sitting casually in an all black Ford Mustang GT 5.0 parked on the side of a street in Hollywood at night. His hair is cut short, with the front slightly messy, giving an effortless yet stylish impression. He wears a casual low neck black t-shirt and faded jeans, clean sneakers. The car's front door is wide open. One of his legs is still inside the car, while the other rests on the wet asphalt, creating a laid-back yet stylish pose. His hand rests casually on his knee, and his face is slightly turned toward the camera, with a calm and confident expression staring as if he's in a movie. The background captures the iconic night atmosphere of Hollywood: colorful neon lights. large digital billboards, shops with bright neon signs, and wet streets reflecting the lights after rain. A few pedestrians walk in the distance, adding an urban vibe while keeping the focus on the main subject. Aspect ratio: 9:16”

2 months ago

A young man with an ideal, well-proportioned body is sitting casually in a luxurious yellow chevrolet camaro parked on the side of a street in Tokyo at night. His hair is cut short, with the front slightly messy, giving an effortless yet stylish impression. He wears a casual Japanese street-style outfit: a dark oversized jacket, a basic black -shirt, loose-fit pants, clean sneakers .There car's front door is wide open. One of his legs is still inside the car, while the other rests on the wet asphalt, creating a laid-back yet stylish pose. His hand rests casually on his knee, and his face is slightly turned toward the camera, with a calm and confident expression staring as if he's in a movie. The background captures the iconic night atmosphere of Tokyo: colorful neon lights. large digital billboards, shops with Japanese signs, and wet streets reflecting the lights after rain. A few pedestrians walk in the distance, adding an urban vibe while keeping the focus on the main subject. Aspect ratio: 9:16”

9 months ago

Prompt: Close-up of a nest in a luminous tree, camera pulling back as the man gazes at it, sparrows circling above a canopy of green. Mystical State: Eyes soft, breath steady, a gentle joy in his stillness.

5 months ago

A professional photograph, 9:16 portrait aspect ratio, of Calamity Jane Monroe (around 21-25 years old), with her back partially to the camera, looking over her shoulder with a captivating smile. She is behind the bar, pouring a drink. Her red silk blouse has slightly rolled-up sleeves, and her leather pants are visible. Her hat is still on. The background shows the vibrant activity of the saloon, with her youthful energy evident.​​​

9 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front she then sits down and spreads her legs and faces the camera in order to clean properly

8 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front

8 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front

8 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front

9 months ago

A ultra-high definition, hyper-detailed image of a Young, Attractive Woman as a buxom cowgirl in a wild west setting. She is wearing a brown leather waistcoat and lace undergarments set with a cowboy hat, boots, and a leather vest, a holstered pistol on her hip, leaning back confidently on a rustic wooden fence with a dusty desert and tumbleweeds in the background. The scene captures the rugged and adventurous atmosphere of the wild west. Use a cinematic camera with a 35mm lens to capture the intricate lace details and the rugged setting. The wild west background should be softly blurred, with bokeh effects enhancing her bold presence. Post-production should enhance the warm tones and add a slight dust effect to create a dramatic, western look. she drinks some sweet cream from the jug and it ends up spilling all down her front so the final high resolution photo is of her on her knees looking up into the camera cleaning the spilt drink off herself having to have had removed her vest she is now on her knees looking upward into the first person point of view if the camera with sweet-cream still around her mouth and down her front

2 months ago

hotorealistic, cinematic close-up: a person lying prone on a damp forest/jungle floor. Camera slightly top-down (~30°), framing the upper back. The person wears a wet dark teal linen/cotton shirt with fine weave texture. Along the spine: bioluminescent, golden-yellow to neon-green viscous resin/energy “ribs”, segmented like vertebrae, with thick glowing drips running sideways. Soft bloom/glow around the light, tiny air particles. From the right, a right hand (slender, light skin, short nails) rests gently on the glowing mass; the hand is underlit by the gold shine, tendons catching specular highlights. Background heavily out of focus with green leaves, very shallow depth of field, bokeh specks, subtle volumetric rays. Color grade: emerald & deep teal shadows, intense gold highlights; wet fabric speculars and micro droplets. Head partly cropped, no face visible. Mood of healing/magic energy, cinematic still, hyper-real, ultra-detailed.

2 months ago

A man with an ideal, well-proportioned body is sitting casually in an all black Ford Mustang GT 5.0 parked on the side of a street in Hollywood at night. His hair is cut short, with the front slightly messy, giving an effortless yet stylish impression. He wears a casual low neck black t-shirt and faded jeans, clean sneakers. The car's front door is wide open. One of his legs is still inside the car, while the other rests on the wet asphalt, creating a laid-back yet stylish pose. His hand rests casually on his knee, and his face is slightly turned toward the camera, with a calm and confident expression staring as if he's in a movie. The background captures the iconic night atmosphere of Tokyo: colorful neon lights. large digital billboards, shops with bright neon signs, and wet streets reflecting the lights after rain. A few pedestrians walk in the distance, adding an urban vibe while keeping the focus on the main subject. Aspect ratio: 9:16

2 months ago

A young man with an ideal, well-proportioned body is sitting casually in a luxurious yellow chevrolet camaro parked on the side of a street in Tokyo at night. His hair is cut short, with the front slightly messy, giving an effortless yet stylish impression. He wears a casual Japanese street-style outfit: a dark oversized jacket, a basic black -shirt, loose-fit pants, clean sneakers .There car's front door is wide open. One of his legs is still inside the car, while the other rests on the wet asphalt, creating a laid-back yet stylish pose. His hand rests casually on his knee, and his face is slightly turned toward the camera, with a calm and confident expression staring as if he's in a movie. The background captures the iconic night atmosphere of Tokyo: colorful neon lights. large digital billboards, shops with Japanese signs, and wet streets reflecting the lights after rain. A few pedestrians walk in the distance, adding an urban vibe while keeping the focus on the main subject. Aspect ratio: 9:16”

2 months ago

A man with an ideal, well-proportioned body is sitting casually in an all black Ford Mustang GT 5.0 parked on the side of a street in Hollywood at night. His hair is cut short, with the front slightly messy, giving an effortless yet stylish impression. He wears a casual low neck black t-shirt and faded jeans, clean sneakers. The car's front door is wide open. One of his legs is still inside the car, while the other rests on the wet asphalt, creating a laid-back yet stylish pose. His hand rests casually on his knee, and his face is slightly turned toward the camera, with a calm and confident expression staring as if he's in a movie. The background captures the iconic night atmosphere of Tokyo: colorful neon lights. large digital billboards, shops with bright neon signs, and wet streets reflecting the lights after rain. A few pedestrians walk in the distance, adding an urban vibe while keeping the focus on the main subject. Aspect ratio: 9:16

2 months ago

Cinematic, hyper realism, high detail, octane render, 8k, ultra high resolution camera, focused, extreme details, cinematic, masterpiece, intricate, fine art photography a man with an ideal, well-proportioned body is sitting casually in an all black Ford Mustang GT 5.0 parked on the side of a street in Hollywood at night. His hair is cut short, with the front slightly messy, giving an effortless yet stylish impression. He wears a casual low neck black t-shirt and faded jeans, clean sneakers. The car's front door is wide open. One of his legs is still inside the car, while the other rests on the wet asphalt, creating a laid-back yet stylish pose. His hand rests casually on his knee, and his face is slightly turned toward the camera, with a calm and confident expression staring as if he's in a movie. The background captures the iconic night atmosphere of Hollywood: colorful neon lights. large digital billboards, shops with bright neon signs, and wet streets reflecting the lights after rain. A few pedestrians walk in the distance, adding an urban vibe while keeping the focus on the main subject. Aspect ratio: 9:16”

25 days ago

The same person from the photo, but wearing transparent clothing and kneeling, still with her back to the camera.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance.

6 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a full rear-view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side All appear weary, slouched, fatigued, in a state of silent resignation. Above the bench is a weathered, cracked metal sign, rusted and peeling. The text on the sign clearly reads in faded, hand-painted letters: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked, sun-bleached, with long shadows stretching behind the figures. The mood is still, surreal, symbolic, and filled with existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Shot with Cooke lenses, ARRI Alexa sensor, in 8K ultra-detailed resolution, high dynamic range, golden hour lighting, with dramatic shadows, subtle film grain. Color grading inspired by Denis Villeneuve and Roger Deakins, evoking themes of loneliness, time, and quiet endurance. in the sign must say : "Nobody has made it out alive."