empty landscape FLUX prompts

7 months ago

A breathtaking depiction of the empty tomb of Jesus Christ at sunrise. The large stone is rolled away, revealing a glowing, radiant light from within the tomb. The entrance is surrounded by rugged rock formations, with soft mist rising in the morning air. The background features a golden sunrise casting warm rays over a peaceful landscape, with a few birds soaring in the sky. A faint, holy silhouette of Jesus stands outside backing the tomb in a flowing white robe, radiating divine light. The atmosphere is serene, sacred, and filled with a sense of hope and victory. The image should have a cinematic, hyper-realistic style, with stunning lighting effects that evoke awe and reverence

17 days ago

minimalist sci-fi, solitary figure in tattered cloak stands atop barren hill, holding glowing energy staff, silhouetted against vast starfield, empty planet surface stretches to horizon, single figure centered, stark landscape, expansive sky, stark contrasts, clean lines, negative space, minimalism, wide angle view, distant stars and nebulae in background, rocky outcropping and figure in foreground, night, thin hazy atmosphere, foreboding mood, rim lighting blue and white stark shadows lighting, monochromatic color palette

6 months ago

(colossal skull forged from thousands of anguished, contorted skulls:1.3) looms in a storm-darkened, apocalyptic sky, its empty eye sockets glowing with malevolent crimson light, casting eerie illumination across a shattered, barren landscape. From its gaping maw, a torrent of molten fire flows slowly—white-hot at the core, surrounded by searing orange and blood-red streaks, alive with humanoid spectral figures writhing in torment, their ghostly forms reaching, stretching as if trying to escape the flames. As the fire cascades down, it strikes the earth with molten impact, forming creeping rivers of lava that crack the ground, igniting rock fractures, and causing violent tremors. Sparks, embers, and ash spiral into the air amid flickers of volumetric heat distortion. Overhead, dark clouds churn, reacting to the infernal blaze, while faint lightning pulses in the distance. Ambient audio: the low rumble of distant thunder rolls continuously in the background, punctuated by occasional sharp lightning cracks. Beneath it, an unsettling layer of whispering voices drifts with the embers—inaudible yet unmistakable—hinting at lost souls and forbidden knowledge. Camera motion: slow dolly-in toward the burning skull, steady tension-building pace; low tracking shot across crumbling lava-riven terrain, passing through drifting ash and smoke. Spectral figures swirl within the fire, some gliding upward, others consumed. Shot in IMAX format, using Leica Summilux-C lenses, shallow depth of field, ultra-contrast lighting, film grain, rendered in 8K photorealism, dark high-fantasy cinematic tone.

3 months ago

**Road Train** rumbling along the **Stuart Highway** at sunrise in **Central Australia**, inspired by reference image: ### **Scene Description:** - A massive **Road Train** (triple trailer) dominates the frame, its polished metal reflecting the golden hues of dawn. - The **Stuart Highway** stretches endlessly into the horizon, flanked by the rusty-red outback and sparse desert scrub. - The sky is ablaze with **sunrise colors**—soft pinks, oranges, and purples—melting into the deep blue of the retreating night. - Dust swirls behind the truck’s wheels, catching the morning light. - The sheer **scale of the truck** contrasts with the vast, empty landscape, symbolizing the isolation and grandeur of the Australian outback. ### **Artistic Style:** - **Hyper-realistic** with cinematic lighting, emphasizing the textures of the truck, road, and desert. - Warm sunrise tones contrast with cool shadows for depth. - Subtle lens flare or light rays to enhance the dawn atmosphere. JDHampton + AI | Creative Alliance

6 months ago

high angle pencil, ink and paint drawing of a 24-year-old Bavarian-Dani female natural bohemian beauty with a warm and inviting expression. She has Misty skin with a faint, ethereal mist hovering over the surface, giving a dreamlike appearance. The skin pores and texture are clearly visible and in focus. Her Elongated crescent eyes, Shimmering, smoky eyes, framed by long, elegant eyelashes. Her haircut is Punk-inspired undercut with spiked crown and neon streaks. Her eyebrows are neatly shaped, complementing her delicate facial features. Her body is Strong, toned lats that create a broad upper body, small breast, toned abs, Female Bodybuilding style. ultra short crop top adorned with overgrown vines and foliage motifs, leaving the midriff bare in a primitive and wild style, midriff, Shabby chic denim skirt with frayed edges and distressed wash, Gazing out over a vast, empty landscape, wondering what lies beyond. She is positioned on the left side in the frame by the rule of thirds. In the background Underground fighting arena where augmented gladiators battle under dying plasma lights. The scene is lighted Identity theft warnings flashing panic red. The weather is A dust bowl engulfs the countryside, choking the air and reducing visibility to zero. the model is lighted with soft natural lighting in the style of Enki Bilal

6 months ago

A painting in the style of Edward Hopper, set in the 1960s, depicting a solitary man seated at the outdoor counter of a roadside diner during the early evening of a summer day. The viewer's perspective is from approximately 25 feet behind and slightly to the right, placing the man in the middle distance. He wears faded jeans and a short-sleeved shirt, his posture slightly hunched, with a weathered hat resting beside a coffee cup on the counter. The diner's bright fluorescent lighting contrasts with the encroaching dusk, casting long shadows across the empty parking lot and the adjacent desert highway. The surrounding landscape features open desert terrain with distant mesas and sparse vegetation, bathed in the soft glow of the setting sun. The composition captures Hopper’s signature themes of solitude and introspection, emphasizing the quiet stillness of a man alone with his thoughts in the vastness of the American landscape.

6 months ago

A painting in the style of Edward Hopper, set in the 1960s, depicting a solitary man seated at the outdoor counter of a roadside diner during the early evening of a summer day. The viewer's perspective is from approximately 25 feet behind and slightly to the right, placing the man in the middle distance. He wears faded jeans and a short-sleeved shirt, his posture slightly hunched, with a weathered hat resting beside a coffee cup on the counter. The diner's bright fluorescent lighting contrasts with the encroaching dusk, casting long shadows across the empty parking lot and the adjacent desert highway. The surrounding landscape features open desert terrain with distant mesas and sparse vegetation, bathed in the soft glow of the setting sun. The composition captures Hopper’s signature themes of solitude and introspection, emphasizing the quiet stillness of a man alone with his thoughts in the vastness of the American landscape.

6 months ago

A painting in the style of Edward Hopper, set in the 1960s, depicting a solitary man seated at the outdoor counter of a roadside diner during the early evening of a summer day. The viewer's perspective is from approximately 25 feet behind and slightly to the right, placing the man in the middle distance. He wears faded jeans and a short-sleeved shirt, his posture slightly hunched, with a weathered hat resting beside a coffee cup on the counter. The diner's bright fluorescent lighting contrasts with the encroaching dusk, casting long shadows across the empty parking lot and the adjacent desert highway. The surrounding landscape features open desert terrain with distant mesas and sparse vegetation, bathed in the soft glow of the setting sun. The composition captures Hopper’s signature themes of solitude and introspection, emphasizing the quiet stillness of a man alone with his thoughts in the vastness of the American landscape.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance.

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

5 months ago

Wide cinematic shot, taken from behind, in a vast, sun-scorched desert. A dilapidated, rusted bus stop bench is positioned facing the horizon, with the camera directly behind the bench and the seated characters, creating a rear view composition. Seated on the bench are seven characters — ALL WITH THEIR BACKS TO THE CAMERA, facing forward, looking into the distance. NO FACES VISIBLE. NO EYE CONTACT. – A Muslim in traditional attire – An Orthodox Jew with a black coat and hat – A Catholic nun in full habit – A Sikh man with turban and beard – A Buddhist monk in saffron robes – A morbidly obese Superman, cape tattered, dragging in the dust – A tired executive in a suit, holding a briefcase loosely by his side. All appear weary, slouched, fatigued, in a state of silent resignation. Above the bus stop hangs a weathered, cracked metal sign, faded and peeling, sketchy that reads: "Nobody has made it out alive." The desert around them is vast and empty, the ground cracked and sun-bleached. Long shadows stretch across the landscape. The composition is still and surreal, full of existential weight. BACK VIEW ONLY. FULLY REAR-FACING COMPOSITION. CAMERA BEHIND BENCH AND ALL CHARACTERS. Ultra-cinematic lighting, shot with Cooke lenses, ARRI Alexa sensor, 8K resolution, high dynamic range, golden hour ambiance, dramatic shadows, fine film grain. Color grading in the style of Denis Villeneuve or Roger Deakins, evoking loneliness and silent endurance. add to the sign this :"Nobody has made it out alive."

7 months ago

Description: A barren landscape with cracked earth, ancient temple (stone arches, weathered) in the center. The Young Man (tan-skinned Iranian, dark hair, sharp dark eyes, strong brows, white flowing robe, pointed dervish cap) slumped against a column. Angle: High wide shot, vast and empty. Lighting: Cold, gray, late afternoon gloom.

16 days ago

minimalist sci-fi image of Blue City. A massive energy-collecting cyborg rises from the urban landscape. The city's surface is pulsing with a soft glow, stark against the smog-filled sky, vertical lines dominate, creating a sense of upward motion, geometric precision, limited palette, stark contrasts, minimalism, low angle view, sprawling cityscape with strange towering structures, hazy polluted sky in background, empty street with glowing lane markers in foreground, dusk, smog-filled atmosphere, oppressive mood, dim ambient blue glow lighting, cool tones color palette. The cyborg is reaching down to two elongated humans.

12 days ago

A dramatic scene in a desert landscape features a classic white luxury car parked on a sandy, barren ground, engulfed in a massive explosion. Billowing flames and thick, vibrant orange and yellow fire dominate the sky above the car, with black smoke curling upward under a bright blue sky. The image captures the energy and chaos of a cinematic action moment, reminiscent of a Hollywood blockbuster, with crisp, high-contrast colors and dynamic lighting. The vast, empty expanse in the background emphasizes the isolation and intensity of the incident, evoking the bold, hyper-real style of contemporary action photography and Michael Bay’s explosive film visuals.

12 days ago

A dramatic scene in a desert landscape features a classic white luxury car parked on a sandy, barren ground, engulfed in a massive explosion. Billowing flames and thick, vibrant orange and yellow fire dominate the sky above the car, with black smoke curling upward under a bright blue sky. The image captures the energy and chaos of a cinematic action moment, reminiscent of a Hollywood blockbuster, with crisp, high-contrast colors and dynamic lighting. The vast, empty expanse in the background emphasizes the isolation and intensity of the incident, evoking the bold, hyper-real style of contemporary action photography and Michael Bay’s explosive film visuals.

12 days ago

A dramatic scene in a desert landscape features a classic white luxury car parked on a sandy, barren ground, engulfed in a massive explosion. Billowing blue flames and thick, vibrant blue and purple fire dominate the sky above the car, with black smoke curling upward under a bright blue sky. The image captures the energy and chaos of a cinematic action moment, reminiscent of a Hollywood blockbuster, with crisp, high-contrast colors and dynamic lighting. The vast, empty expanse in the background emphasizes the isolation and intensity of the incident, evoking the bold, hyper-real style of contemporary action photography and Michael Bay’s explosive film visuals.